1. On One on One
  2. Benjamin Boretz
  3. pp. 5-9
  4. DOI: 10.1353/pnm.2018.0008
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  1. Graphics
  2. pp. 10-170
  3. DOI: 10.1353/pnm.2018.0005
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  1. Sound Installation and Time: Becoming, Place, and the Case for Performance
  2. William Davy Cole
  3. pp. 11-33
  4. DOI: 10.1353/pnm.2018.0007
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  1. Me, Myself, and I: Aesthetics and Self-Presentation in Stockhausen's Trans
  2. Ethan Braun
  3. pp. 35-85
  4. DOI: 10.1353/pnm.2018.0000
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  1. In ihiio - In iten - In itlahtol: New Music for the Mexican Orchestra
  2. Mauricio Rodriguez
  3. pp. 87-99
  4. DOI: 10.1353/pnm.2018.0002
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  1. "Don't knock the hybrids": Musical Polystylism in Celso Garrido-Lecca's Duo Concertante
  2. Andrés Carrizo
  3. pp. 101-135
  4. DOI: 10.1353/pnm.2018.0004
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  1. Squaring with the Truth: Peter Maxwell Davies and Vesalii Icones
  2. Nirmali Fenn
  3. pp. 137-169
  4. DOI: 10.1353/pnm.2018.0003
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  1. All-Trichordal Saturated M-Chain Cycles
  2. Kyle Quarles, Daniel Sieburth
  3. pp. 171-190
  4. DOI: 10.1353/pnm.2018.0001
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