1. Special Notice
  2. p. i
  3. DOI: 10.1353/pnm.2018.0016
  4. restricted access contents
  1. PHOTOGRAPHS
  2. DOI: 10.1353/pnm.2018.0013
  3. restricted access contents
  1. Editors' Introduction
  2. Robert Morris, Bruce Quaglia, James Romig
  3. pp. 7-10
  4. DOI: 10.1353/pnm.2018.0015
  5. restricted access contents
  1. A Conversation with Charles Wuorinen
  2. James Romig
  3. pp. 11-21
  4. DOI: 10.1353/pnm.2018.0032
  5. restricted access contents
  1. Charles Wuorinen's Bassoon Variations
  2. Matthew Barber
  3. pp. 23-46
  4. DOI: 10.1353/pnm.2018.0010
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  1. "… a riveder le stelle."
  2. Anthony Cornicello
  3. pp. 47-50
  4. DOI: 10.1353/pnm.2018.0025
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  1. Conversation
  2. Eleanor Cory
  3. pp. 51-54
  4. DOI: 10.1353/pnm.2018.0036
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  1. Charles Wuorinen's Third Piano Sonata: A Performer's Perspective
  2. Alan Feinberg
  3. pp. 55-66
  4. DOI: 10.1353/pnm.2018.0027
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  1. A Series of Openings: Brown, Martino, and Wuorinen
  2. Richard Hermann
  3. pp. 67-97
  4. DOI: 10.1353/pnm.2018.0033
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  1. A Jersey Reverie on New York Notes
  2. Louis Karchin
  3. pp. 99-102
  4. DOI: 10.1353/pnm.2018.0020
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  1. Charles Wuorinen's Twelve Drummers Drumming
  2. Jeffrey Kresky
  3. pp. 103-111
  4. DOI: 10.1353/pnm.2018.0011
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  1. Structure in Charles Wuorinen's String Trio
  2. JoAnn Kuchera-Morin
  3. pp. 113-148
  4. DOI: 10.1353/pnm.2018.0030
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  1. "What Makes It Go": Motion in Wuorinen's Grand Union
  2. Daphne Leong
  3. pp. 149-167
  4. DOI: 10.1353/pnm.2018.0019
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  1. The Synthesis of Genesis: Reflection, Symmetry, and Narrative Structures in “Invocation”
  2. Brendan McConville
  3. pp. 169-190
  4. DOI: 10.1353/pnm.2018.0009
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  1. Little Sail
  2. Harold Meltzer
  3. pp. 191-194
  4. DOI: 10.1353/pnm.2018.0031
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  1. Nanovariations
  2. Robert Morris
  3. pp. 195-198
  4. DOI: 10.1353/pnm.2018.0035
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  1. CHARLES
  2. Tobias Picker
  3. pp. 199-202
  4. DOI: 10.1353/pnm.2018.0023
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  1. Skewing, Centricity, and Form in Wuorinen's Reliquary for Igor Stravinsky and Rhapsody for Violin and Orchestra
  2. Bruce Quaglia
  3. pp. 203-237
  4. DOI: 10.1353/pnm.2018.0012
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  1. A Toccata for Charles at Eighty
  2. Bruce Quaglia
  3. pp. 239-242
  4. DOI: 10.1353/pnm.2018.0018
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  1. A Single Generous Totality
  2. James Romig
  3. pp. 243-246
  4. DOI: 10.1353/pnm.2018.0014
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  1. Modern Illuminations in Poetry and Music: Charles Wuorinen's Ashberyana
  2. Sarah Rothenberg
  3. pp. 247-265
  4. DOI: 10.1353/pnm.2018.0022
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  1. Reconciling Order and Content and Their Unification in Scherzo for Piano by Charles Wuorinen
  2. Ciro Scotto
  3. pp. 267-304
  4. DOI: 10.1353/pnm.2018.0029
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  1. Only Praise: 11 Linked Bagatelles for Piano
  2. Harvey Sollberger
  3. pp. 305-312
  4. DOI: 10.1353/pnm.2018.0028
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  1. C.W. 6-9/1938
  2. Edward J. F. Taylor
  3. pp. 313-316
  4. DOI: 10.1353/pnm.2018.0017
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  1. On Wuorinen's String Trio: Two Analytic Sketches
  2. Anton Vishio
  3. pp. 317-347
  4. DOI: 10.1353/pnm.2018.0034
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  1. encomia
  2. John Zorn
  3. pp. 349-351
  4. DOI: 10.1353/pnm.2018.0026
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  1. A Phrase Bouquet for C. W.
  2. Peter Lieberson
  3. pp. 353-354
  4. DOI: 10.1353/pnm.2018.0024
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  1. C H A R L E S
  2. Donald Martino
  3. pp. 355-356
  4. DOI: 10.1353/pnm.2018.0021
  5. restricted access contents