Project MUSE - Perspectives of New Music-Volume 56, Number 2, Summer 2018

Special Notice

p. i

DOI: https://doi.org/10.1353/pnm.2018.0016

PHOTOGRAPHS

DOI: https://doi.org/10.1353/pnm.2018.0013

Editors' Introduction

Robert Morris, Bruce Quaglia, James Romig

pp. 7-10

DOI: https://doi.org/10.1353/pnm.2018.0015

A Conversation with Charles Wuorinen

James Romig

pp. 11-21

DOI: https://doi.org/10.1353/pnm.2018.0032

Charles Wuorinen's Bassoon Variations

Matthew Barber

pp. 23-46

DOI: https://doi.org/10.1353/pnm.2018.0010

"… a riveder le stelle."

Anthony Cornicello

pp. 47-50

DOI: https://doi.org/10.1353/pnm.2018.0025

Conversation

Eleanor Cory

pp. 51-54

DOI: https://doi.org/10.1353/pnm.2018.0036

Charles Wuorinen's Third Piano Sonata: A Performer's Perspective

Alan Feinberg

pp. 55-66

DOI: https://doi.org/10.1353/pnm.2018.0027

A Series of Openings: Brown, Martino, and Wuorinen

Richard Hermann

pp. 67-97

DOI: https://doi.org/10.1353/pnm.2018.0033

A Jersey Reverie on New York Notes

Louis Karchin

pp. 99-102

DOI: https://doi.org/10.1353/pnm.2018.0020

Charles Wuorinen's Twelve Drummers Drumming

Jeffrey Kresky

pp. 103-111

DOI: https://doi.org/10.1353/pnm.2018.0011

Structure in Charles Wuorinen's String Trio

JoAnn Kuchera-Morin

pp. 113-148

DOI: https://doi.org/10.1353/pnm.2018.0030

"What Makes It Go": Motion in Wuorinen's Grand Union

Daphne Leong

pp. 149-167

DOI: https://doi.org/10.1353/pnm.2018.0019

The Synthesis of Genesis: Reflection, Symmetry, and Narrative Structures in “Invocation”

Brendan McConville

pp. 169-190

DOI: https://doi.org/10.1353/pnm.2018.0009

Little Sail

Harold Meltzer

pp. 191-194

DOI: https://doi.org/10.1353/pnm.2018.0031

Nanovariations

Robert Morris

pp. 195-198

DOI: https://doi.org/10.1353/pnm.2018.0035

CHARLES

Tobias Picker

pp. 199-202

DOI: https://doi.org/10.1353/pnm.2018.0023

Skewing, Centricity, and Form in Wuorinen's Reliquary for Igor Stravinsky and Rhapsody for Violin and Orchestra

Bruce Quaglia

pp. 203-237

DOI: https://doi.org/10.1353/pnm.2018.0012

A Toccata for Charles at Eighty

Bruce Quaglia

pp. 239-242

DOI: https://doi.org/10.1353/pnm.2018.0018

A Single Generous Totality

James Romig

pp. 243-246

DOI: https://doi.org/10.1353/pnm.2018.0014

Modern Illuminations in Poetry and Music: Charles Wuorinen's Ashberyana

Sarah Rothenberg

pp. 247-265

DOI: https://doi.org/10.1353/pnm.2018.0022

Reconciling Order and Content and Their Unification in Scherzo for Piano by Charles Wuorinen

Ciro Scotto

pp. 267-304

DOI: https://doi.org/10.1353/pnm.2018.0029

Only Praise: 11 Linked Bagatelles for Piano

Harvey Sollberger

pp. 305-312

DOI: https://doi.org/10.1353/pnm.2018.0028

C.W. 6-9/1938

Edward J. F. Taylor

pp. 313-316

DOI: https://doi.org/10.1353/pnm.2018.0017

On Wuorinen's String Trio: Two Analytic Sketches

Anton Vishio

pp. 317-347

DOI: https://doi.org/10.1353/pnm.2018.0034

encomia

John Zorn

pp. 349-351

DOI: https://doi.org/10.1353/pnm.2018.0026

A Phrase Bouquet for C. W.

Peter Lieberson

pp. 353-354

DOI: https://doi.org/10.1353/pnm.2018.0024

C H A R L E S

Donald Martino

pp. 355-356

DOI: https://doi.org/10.1353/pnm.2018.0021

ISSN	2325-7180
Print ISSN	0031-6016
Launched on MUSE	2021-01-01
Open Access	No

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