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Front Cover: Joe Caslin, Our Nation’s Sons (2013), transient site-specific public-art installation of drawings applied with potato wash to property developer Joe McNamara’s prefabricated concrete columns on Achill Island (2011), now popularly called Achillhenge. Copyright by photographer Gavin Leane. Reproduced by the kind permission of Gavin Leane and Joe Caslin. See Nessa Cronin, “ Achillhenge: Liquid Modernity and an Archaeology of the Irish Anthropocene,” pp. 19-43

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Achillhenge: Liquid Modernity and an Archaeology of the Irish Anthropocene
Nessa Cronin
pp. 19-43
DOI: https://doi.org/10.1353/eir.2020.0026

Voices from the Moving Bog: Ireland and Natural Disaster, 1896–1904
Daphne Dyer Wolf
pp. 44-74
DOI: https://doi.org/10.1353/eir.2020.0027

Topobiographical Inquiry: Lived Spaces, Place-Based Experiences, and Ecologies
Derek Gladwin
pp. 129-149
DOI: https://doi.org/10.1353/eir.2020.0019

Ireland’s Forest Fallacy
J. Ruby Harris-Gavin
pp. 150-172
DOI: https://doi.org/10.1353/eir.2020.0020

On Irish Science Fiction: A Letter to the Editors
Kim Stanley Robinson
pp. 173-179
DOI: https://doi.org/10.1353/eir.2020.0021

Deep Maps: West Cork Coastal Cultures
Claire Connolly, Rachel Murphy, Breda Moriarty, Orla-Peach Power, Michael Waldron, Rob McAllen
pp. 180-187
DOI: https://doi.org/10.1353/eir.2020.0022

Finding Shelter: Remembering Tim Robinson
Kelly Sullivan
pp. 188-200
DOI: https://doi.org/10.1353/eir.2020.0023

Contributors
pp. 201-205
DOI: https://doi.org/10.1353/eir.2020.0024

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