1. “American Homespun Fascists”: Seán O’Casey and the Returning Veteran at the American Negro Theatre
  2. Sinéad Moynihan
  3. pp. 393-414
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  1. The Concept of the Concept Musical: Love Life, Cabaret, Company
  2. Bradley Rogers
  3. pp. 415-434
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  1. The Domestic Sphere as Counter-Surveillance in Lorraine Hansberry’s A Raisin in the Sun
  2. Kelsey Kiser
  3. pp. 435-454
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  1. Jewish Immigrant Theatre and the Argentinean Avant-Gardes: The Case of Ibergus in 1926 Buenos Aires
  2. C. Tova Markenson
  3. pp. 455-476
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  1. Yeats’s Doll and Donkey: Alienating the Upanishads in The Herne’s Egg
  2. Yeeyon Im
  3. pp. 477-496
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  1. Beyond Text: Theater and Performance in Print after 1900 by Jennifer Buckley (review)
  2. Matthew Franks
  3. pp. 497-499
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  1. The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage by Jeffrey K. Coleman (review)
  2. Duncan Wheeler
  3. pp. 499-502
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  1. A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present ed. by Aparna Bhargava Dharwadker (review)
  2. Pamela Lothspeich
  3. pp. 502-505
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  1. Transgenerational Remembrance: Performance and the Asia-Pacific War in Contemporary Japan by Jessica Nakamura (review)
  2. Emily Roxworthy
  3. pp. 505-507
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  1. Nomadic Theatre: Mobilizing Theory and Practice on the European Stage by Liesbeth Groot Nibbelink (review)
  2. Marilena Zaroulia
  3. pp. 507-510
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  1. Afro-Fabulations: The Queer Drama of Black Life by Tavia Nyong’o (review)
  2. Jih-Fei Cheng
  3. pp. 510-512
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  1. The New Samuel Beckett Studies ed. by Jean-Michel Rabaté (review)
  2. Stanton B. Garner Jr.
  3. pp. 512-515
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  1. Beyond Broadway: The Pleasure and Promise of Musical Theatre across America by Stacy Wolf (review)
  2. Derek Miller
  3. pp. 515-517
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