In this Issue

Table of Contents

Introduction: The Novel as Theory

Kathleen Lubey, Rebecca Tierney-Hynes
pp. 141-148
DOI: https://doi.org/10.1353/ecy.2020.0011
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The Incest Plot: Marriage, Closure, and the Novel's Endogamy

Stephanie Insley Hershinow
pp. 149-164
DOI: https://doi.org/10.1353/ecy.2020.0012
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Evelina's Laughter: The Novel's Queerer Theories

Eugenia Zuroski
pp. 165-186
DOI: https://doi.org/10.1353/ecy.2020.0013
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The Vicar and the Sovereign: Monarchism in Oliver Goldsmith's The Vicar of Wakefield

Wendy Anne Lee
pp. 187-206
DOI: https://doi.org/10.1353/ecy.2020.0014
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Hannah More's Clockwork Christians

Sara Landreth
pp. 207-225
DOI: https://doi.org/10.1353/ecy.2020.0015
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Second-Sex Economics: Race, Rescue, and the Heroine's Plot

Susan S. Lanser
pp. 227-244
DOI: https://doi.org/10.1353/ecy.2020.0016
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Colonel Jack's Pocket: Subjectivity, Money, and Metaphor

Peter DeGabriele
pp. 245-261
DOI: https://doi.org/10.1353/ecy.2020.0017
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The Novel Is a Theory of Allegory

Sandra Macpherson
pp. 263-279
DOI: https://doi.org/10.1353/ecy.2020.0018
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Afterword: The Novel as Method

Jonathan Kramnick
pp. 281-285
DOI: https://doi.org/10.1353/ecy.2020.0019
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Notes on Contributors

pp. 287-288
DOI: https://doi.org/10.1353/ecy.2020.0020
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