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Table of Contents

  1. Remembering George (1934–2010)
  2. p. 1
  3. DOI: https://doi.org/10.1353/ltr.2020.0014
  4. restricted access
  1. Relics, Jesuit Masculinity, and the Performance of Martyrdom in Triumpho de los Sanctos
  2. Stephanie Kirk
  3. pp. 79-98
  4. DOI: https://doi.org/10.1353/ltr.2020.0019
  5. restricted access
  1. Variations on Martyrdom by José de Anchieta
  2. Caroline Egan
  3. pp. 99-124
  4. DOI: https://doi.org/10.1353/ltr.2020.0020
  5. restricted access
  1. Música y performance como estrategias de conversión en el Virreinato del Perú
  2. Catalina Andrango-Walker
  3. pp. 125-148
  4. DOI: https://doi.org/10.1353/ltr.2020.0021
  5. restricted access
  1. In Memoriam: Deb Cohen (1955-2020)
  2. Elaine M. Miller
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/ltr.2020.0022
  5. restricted access
  1. Precarious Forms: Performing Utopia in the Neoliberal Americas by Candice Amich (review)
  2. César Barros A.
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/ltr.2020.0023
  5. restricted access
  1. Teatro independiente. Historia y actualidad by Paula Ansaldo et al. (review)
  2. Agustina Trupia
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/ltr.2020.0026
  5. restricted access
  1. Not the Time to Stay: The Unpublished Plays of Víctor Fragoso by Víctor Fragoso (review)
  2. David Tenorio
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/ltr.2020.0027
  5. restricted access
  1. Staging Discomfort: Performance and Queerness in Contemporary Cuba by Bretton White (review)
  2. Lawrence La Fountain-Stokes
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/ltr.2020.0028
  5. restricted access