1. Remembering George (1934–2010)
  2. p. 1
  3. DOI: 10.1353/ltr.2020.0014
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  1. Reglas para el piélago, sonda para lo insondable y camino para lo inaccesible. Martín de Velasco y su Arte de sermones
  2. Juan Vitulli
  3. pp. 17-34
  4. DOI: 10.1353/ltr.2020.0016
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  1. El teatro escolar colonial al servicio teopolítico del imperio en El amar su propia muerte de Espinosa Medrano
  2. Jorge Luis Yangali Vargas
  3. pp. 35-56
  4. DOI: 10.1353/ltr.2020.0017
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  1. Relics, Jesuit Masculinity, and the Performance of Martyrdom in Triumpho de los Sanctos
  2. Stephanie Kirk
  3. pp. 79-98
  4. DOI: 10.1353/ltr.2020.0019
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  1. Variations on Martyrdom by José de Anchieta
  2. Caroline Egan
  3. pp. 99-124
  4. DOI: 10.1353/ltr.2020.0020
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  1. Música y performance como estrategias de conversión en el Virreinato del Perú
  2. Catalina Andrango-Walker
  3. pp. 125-148
  4. DOI: 10.1353/ltr.2020.0021
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  1. In Memoriam: Deb Cohen (1955-2020)
  2. Elaine M. Miller
  3. pp. 149-150
  4. DOI: 10.1353/ltr.2020.0022
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  1. Precarious Forms: Performing Utopia in the Neoliberal Americas by Candice Amich (review)
  2. César Barros A.
  3. pp. 151-152
  4. DOI: 10.1353/ltr.2020.0023
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  1. Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay by William Garrett Acree (review)
  2. Elisabeth L. Austin
  3. pp. 152-153
  4. DOI: 10.1353/ltr.2020.0024
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  1. Teatro independiente. Historia y actualidad by Paula Ansaldo et al. (review)
  2. Agustina Trupia
  3. pp. 155-156
  4. DOI: 10.1353/ltr.2020.0026
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  1. Not the Time to Stay: The Unpublished Plays of Víctor Fragoso by Víctor Fragoso (review)
  2. David Tenorio
  3. pp. 156-157
  4. DOI: 10.1353/ltr.2020.0027
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  1. Staging Discomfort: Performance and Queerness in Contemporary Cuba by Bretton White (review)
  2. Lawrence La Fountain-Stokes
  3. pp. 157-158
  4. DOI: 10.1353/ltr.2020.0028
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