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In this Issue

Table of Contents

  1. Introduction: Reflections on the World Cinema Turn
  2. David Richler
  3. pp. 1-9
  4. restricted access
  1. World Cinema as Method
  2. Masha Salazkina
  3. pp. 10-24
  4. restricted access
  1. Italian Cinema and the World Cinema Stress Test
  2. Luca Caminati
  3. pp. 25-36
  4. restricted access
  1. World Cinema 3.0? The “World as Backdrop” for a Multimedial Age
  2. Malini Guha
  3. pp. 37-51
  4. restricted access

Articles

  1. Entre Prized Content et Lesbian Multicasting : étude comparative entre la saison 1 et la saison 2 de la série web québécoise Féminin/Féminin
  2. Julie Ravary-Pilon
  3. pp. 52-74
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  1. You and I . . . We’re the Same: Men and Women Outside the Romance Pact
  2. Anastasia Kanjere
  3. pp. 75-96
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  1. Shanghaied in Singapore: Dogmas of Orientalism
  2. Philippe Mather
  3. pp. 97-114
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  1. The Erotic-Grotesque versus Female Agency in Colonial Korea in Park Chan-wook’s The Handmaiden
  2. Suk Koo Rhee
  3. pp. 115-138
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  1. Le cinéma turc à l’Épreuve de l’immigration : l’espace filmique comme porte-parole de la culture
  2. Ayşe Toy Par, Gülsenem Gün
  3. pp. 139-154
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Ciné-Forum

  1. À la mémoire d’Yves Lever
  2. Germain Lacasse
  3. pp. 155-156
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Book Reviews/Comptes Rendus

  1. ReFocus: The Films of Xavier Dolan ed. by Andrée Lafontaine (review)
  2. Amy Ransom
  3. pp. 157-160
  4. restricted access
  1. Screening the Red Army Faction: Historical and Cultural Memory by Christina Gerhardt (review)
  2. Murat Akser
  3. pp. 161-164
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  1. Norman McLaren: Between the Frames by Nichola Dobson (review)
  2. Dong Yang
  3. pp. 165-168
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  1. Femmes, nation et nature dans le cinéma québécois by Par Julie Ravary-Pilon (review)
  2. Compte Rendu Par Dominique Hétu
  3. pp. 169-171
  4. restricted access