1. Lateral Moves and Ghostly Gay Children: Queer Spatial Metaphors in Alison Bechdel’s Fun Home
  2. Jocelyn Sakal Froese
  3. pp. 251-265
  4. DOI: 10.1353/ink.2020.0020
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  1. “Bacon Tho”: Richard Watts’ Vegan Sidekick Comics as Social Media Activism
  2. Dru Jeffries
  3. pp. 266-287
  4. DOI: 10.1353/ink.2020.0021
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  1. George Pérez and the Classical Narrative Style
  2. Marc Singer
  3. pp. 288-308
  4. DOI: 10.1353/ink.2020.0022
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  1. “A Good Place Where to Be”: Un-placing Mobilities in Julie Doucet’s My New York Diary
  2. Lorraine York
  3. pp. 309-326
  4. DOI: 10.1353/ink.2020.0023
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  1. “Text Messages and Ghosts Are a JOY”: A Conversation with Cartoonist Marnie Galloway
  2. Shiamin Kwa
  3. pp. 327-339
  4. DOI: 10.1353/ink.2020.0024
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  1. 4 Colorism: The Ashiness of It All
  2. Zoë Smith
  3. pp. 340-356
  4. DOI: 10.1353/ink.2020.0025
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Reviews

  1. Dreaming the Graphic Novel: The Novelization of Comics by Paul Williams (review)
  2. Shawn Gilmore
  3. pp. 357-360
  4. DOI: 10.1353/ink.2020.0026
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  1. Monstrous Imaginaries: The Legacy of Romanticism in Comics by Maaheen Ahmed (review)
  2. Alisia Chase
  3. pp. 361-363
  4. DOI: 10.1353/ink.2020.0027
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  1. All New, All Different? A History of Race and the American Superhero by Allan W. Austin and Patrick L. Hamilton (review)
  2. Osvaldo Oyola
  3. pp. 363-367
  4. DOI: 10.1353/ink.2020.0028
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  1. History of Illustration by Susan Doyle, Jaleen Grove and Whitney Sherman (review)
  2. Daniel F. Yezbick
  3. pp. 367-370
  4. DOI: 10.1353/ink.2020.0029
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Contributors

  1. Contributors
  2. pp. 371-372
  3. DOI: 10.1353/ink.2020.0030
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