In this Issue

Table of Contents

Lateral Moves and Ghostly Gay Children: Queer Spatial Metaphors in Alison Bechdel’s Fun Home

Jocelyn Sakal Froese
pp. 251-265
DOI: https://doi.org/10.1353/ink.2020.0020
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“Bacon Tho”: Richard Watts’ Vegan Sidekick Comics as Social Media Activism

Dru Jeffries
pp. 266-287
DOI: https://doi.org/10.1353/ink.2020.0021
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George Pérez and the Classical Narrative Style

Marc Singer
pp. 288-308
DOI: https://doi.org/10.1353/ink.2020.0022
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“A Good Place Where to Be”: Un-placing Mobilities in Julie Doucet’s My New York Diary

Lorraine York
pp. 309-326
DOI: https://doi.org/10.1353/ink.2020.0023
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“Text Messages and Ghosts Are a JOY”: A Conversation with Cartoonist Marnie Galloway

Shiamin Kwa
pp. 327-339
DOI: https://doi.org/10.1353/ink.2020.0024
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4 Colorism: The Ashiness of It All

Zoë Smith
pp. 340-356
DOI: https://doi.org/10.1353/ink.2020.0025
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Dreaming the Graphic Novel: The Novelization of Comics by Paul Williams (review)

Shawn Gilmore
pp. 357-360
DOI: https://doi.org/10.1353/ink.2020.0026
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Monstrous Imaginaries: The Legacy of Romanticism in Comics by Maaheen Ahmed (review)

Alisia Chase
pp. 361-363
DOI: https://doi.org/10.1353/ink.2020.0027
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All New, All Different? A History of Race and the American Superhero by Allan W. Austin and Patrick L. Hamilton (review)

Osvaldo Oyola
pp. 363-367
DOI: https://doi.org/10.1353/ink.2020.0028
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History of Illustration by Susan Doyle, Jaleen Grove and Whitney Sherman (review)

Daniel F. Yezbick
pp. 367-370
DOI: https://doi.org/10.1353/ink.2020.0029
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Contributors

pp. 371-372
DOI: https://doi.org/10.1353/ink.2020.0030
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