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Table of Contents

  1. Collective Anxieties, Reader Manipulation and the 1910 Passage of Halley's Comet in Ramón María Tenreiro's La agonía de Madrid
  2. Juan Herrero-Senés
  3. pp. 231-242
  4. DOI: https://doi.org/10.1353/rmc.2020.0030
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  1. Parallels: Roberto Bolaño's novel Nocturno de Chile (2000) and Hermann Broch's novel the Death of Virgil (1945)
  2. Gabriele Eckart
  3. pp. 243-251
  4. DOI: https://doi.org/10.1353/rmc.2020.0031
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  1. De Morte Anime: Solomonic Magic in Alfonso X's Cantiga 125
  2. Fernando Riva
  3. pp. 253-263
  4. DOI: https://doi.org/10.1353/rmc.2020.0032
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  1. L'expérience de lecture et d'Écriture dans l'enfance des héros proustien et ernausien
  2. Yaejin Yoo
  3. pp. 265-275
  4. DOI: https://doi.org/10.1353/rmc.2020.0033
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  1. Memory is an Act of Love: Poetics of the HIV/AIDS Epidemic in Puerto Rico
  2. Daniel A. Romero Suarez
  3. pp. 289-301
  4. DOI: https://doi.org/10.1353/rmc.2020.0035
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  1. Doubled and Divided by the Gaze: Psychopathic Identity in Racine's Bérénice (1670)
  2. Jenny Davis Barnett
  3. pp. 303-313
  4. DOI: https://doi.org/10.1353/rmc.2020.0036
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  1. Don Quijote in Los Angeles: Daniel Venegas's Don Chipote and its Cervantine Model
  2. Hilaire Kallendorf
  3. pp. 315-325
  4. DOI: https://doi.org/10.1353/rmc.2020.0037
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  1. L'écriture du Désastre dans Traverses (1999) de Jean Rolin
  2. Bruno Thibault
  3. pp. 327-336
  4. DOI: https://doi.org/10.1353/rmc.2020.0038
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  1. Access and Allies: Indigenous Water Rights and Necrocapitalism in Arregui's El Facilitador
  2. Jennie Irene Daniels
  3. pp. 337-347
  4. DOI: https://doi.org/10.1353/rmc.2020.0039
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  1. Annapurna, de Ígor Barreto: lo sublime y Google Earth
  2. Carlos Frühbeck Moreno
  3. pp. 349-360
  4. DOI: https://doi.org/10.1353/rmc.2020.0040
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  1. Marguerite D'Autriche—Grande Rhétoriqueuse?
  2. Peter J. Eubanks
  3. pp. 361-370
  4. DOI: https://doi.org/10.1353/rmc.2020.0025
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  1. Epifanio De Moirans's Abolitionist Journey in the Seventeenth Century Caribbean
  2. Rebeca Moreno-Orama
  3. pp. 371-382
  4. DOI: https://doi.org/10.1353/rmc.2020.0026
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  1. The Anarchist Poiesis of the Ballad in Ramón J. Sender's Réquiem por un campesino español
  2. Jeremy Squires
  3. pp. 383-394
  4. DOI: https://doi.org/10.1353/rmc.2020.0027
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  1. From Threat to Norm: The Changing Role of Crime in Contemporary Mexican Fiction
  2. Matteo Cantarello
  3. pp. 395-407
  4. DOI: https://doi.org/10.1353/rmc.2020.0028
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  1. Vicente Blasco Ibáñez in the Gruta de Camões: A Spanish Novelist's Passage to Macau
  2. David R. George Jr.
  3. pp. 409-418
  4. DOI: https://doi.org/10.1353/rmc.2020.0029
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