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In this Issue

Table of Contents

Editor's Forward

  1. Editor's Foreword
  2. Devin Orgeron
  3. pp. viii-xii
  4. DOI: https://doi.org/10.5749/movingimage.19.2.viii
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Features

  1. Market Research as Portraiture: Thomas Hope Sketches the Audiovisual Industry
  2. Kit Hughes
  3. pp. 1-25
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0001
  5. restricted access
  1. The Pivotal Role of Student Labor in the Clarke Historical Library's Moving Image Access and Preservation Project
  2. Marian J. Matyn, Tressa Graves
  3. pp. 26-49
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0026
  5. restricted access

Forum

  1. "With Great Power, Comes Great Responsibility": A Perspective on Wild Wild Country and Television News Footage Citation in the Epic Documentary
  2. Bill Goetz
  3. pp. 50-62
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0050
  5. restricted access
  1. Gay Atlanta at the Dawn of the Millennium: The OutTV Atlanta Video Archive
  2. Kathryn Michaelis
  3. pp. 63-70
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0063
  5. restricted access
  1. Rescuing The Gunfighter: A Lost Film Reconstructed from an Ancient Home Movie Edition
  2. Christopher Bird
  3. pp. 71-82
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0071
  5. restricted access
  1. "When I Saw My First DVD, I Knew It Was All Over"
  2. Tanya Goldman, Kit Parker
  3. pp. 83-95
  4. restricted access

Conversations

  1. Finding the Film Archive: A Comparison between Milan and Canberra in Times of COVID-19
  2. Victoria Duckett
  3. pp. 96-99
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0096
  5. free access
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  1. Zoom Interview with Matteo Pavesi
  2. Victoria Duckett
  3. pp. 99-107
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0099
  5. restricted access
  1. Zoom Interview with Meg Labrum
  2. Victoria Duckett
  3. pp. 108-118
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0108
  5. restricted access

Reviews

Books

  1. Silent Cinema: A Guide to Study, Research, and Curatorship by Paolo Cherchi Usai (review)
  2. Brian Real
  3. pp. 119-121
  4. restricted access
  1. Cinema's Military Industrial Complex ed. by Haidee Wasson and Lee Grieveson (review)
  2. Audrey Amidon, Heidi Holmstrom
  3. pp. 122-124
  4. restricted access
  1. Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive ed. by Mark Garrett Cooper, Sara Beth Levavy, Ross Melnick, and Mark Williams (review)
  2. Gracia Ramírez
  3. pp. 124-126
  4. restricted access
  1. Documentary across Platforms: Reverse Engineering Media, Place, and Politics by Patricia R. Zimmermann (review)
  2. Melissa Dollman
  3. pp. 127-129
  4. restricted access
  1. Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwaka'wakw, and the Making of Modern Cinema ed. by Brad Evans and Aaron Glass (review)
  2. Jennifer L. Jenkins
  3. pp. 129-131
  4. restricted access
  1. Bad Film Histories: Ethnography and the Early Archive by Katherine Groo (review)
  2. Travis L. Wagner
  3. pp. 132-134
  4. restricted access
  1. Main Street Movies: The History of Local Film in the United States by Martin L. Johnson (review)
  2. N. M. Bunce
  3. pp. 134-136
  4. restricted access
  1. Our Family Album ed. by Charles Musser and Maria-Threese Serana (review)
  2. Brian Real
  3. pp. 136-139
  4. restricted access
  1. Ainsi naquit Hollywood: Avant l'âge d'or, les ambitions de la Triangle et des premiers studios by Marc Vernet Armand Colin (review)
  2. Clara Auclair
  3. pp. 139-141
  4. restricted access

Blue-Rays and DVD

  1. Undercrank Productions (review)
  2. Rob King
  3. pp. 142-145
  4. DOI: https://doi.org/10.5749/movingimage.19.2.0142
  5. restricted access
  1. Resgate da obra cinematográfica de Gerson Tavares (Rescue of Gerson Tavares's Cinematographic Work) (review)
  2. Angélica Gasparotto de Oliveira
  3. pp. 145-149
  4. restricted access
  1. Reevaluating Documentary Aesthetics: Kirsten Johnson's Cameraperson (review)
  2. Mina Radovic
  3. pp. 149-152
  4. restricted access