1. Editor's Foreword
  2. Devin Orgeron
  3. pp. viii-xii
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  1. Market Research as Portraiture: Thomas Hope Sketches the Audiovisual Industry
  2. Kit Hughes
  3. pp. 1-25
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  1. The Pivotal Role of Student Labor in the Clarke Historical Library's Moving Image Access and Preservation Project
  2. Marian J. Matyn, Tressa Graves
  3. pp. 26-49
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  1. "With Great Power, Comes Great Responsibility": A Perspective on Wild Wild Country and Television News Footage Citation in the Epic Documentary
  2. Bill Goetz
  3. pp. 50-62
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  1. Gay Atlanta at the Dawn of the Millennium: The OutTV Atlanta Video Archive
  2. Kathryn Michaelis
  3. pp. 63-70
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  1. Rescuing The Gunfighter: A Lost Film Reconstructed from an Ancient Home Movie Edition
  2. Christopher Bird
  3. pp. 71-82
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  1. "When I Saw My First DVD, I Knew It Was All Over"
  2. Tanya Goldman, Kit Parker
  3. pp. 83-95
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  1. Finding the Film Archive: A Comparison between Milan and Canberra in Times of COVID-19
  2. Victoria Duckett
  3. pp. 96-99
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  1. Zoom Interview with Matteo Pavesi
  2. Victoria Duckett
  3. pp. 99-107
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  1. Zoom Interview with Meg Labrum
  2. Victoria Duckett
  3. pp. 108-118
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  1. Silent Cinema: A Guide to Study, Research, and Curatorship by Paolo Cherchi Usai (review)
  2. Brian Real
  3. pp. 119-121
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  1. Cinema's Military Industrial Complex ed. by Haidee Wasson and Lee Grieveson (review)
  2. Audrey Amidon, Heidi Holmstrom
  3. pp. 122-124
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  1. Documentary across Platforms: Reverse Engineering Media, Place, and Politics by Patricia R. Zimmermann (review)
  2. Melissa Dollman
  3. pp. 127-129
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  1. Bad Film Histories: Ethnography and the Early Archive by Katherine Groo (review)
  2. Travis L. Wagner
  3. pp. 132-134
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  1. Main Street Movies: The History of Local Film in the United States by Martin L. Johnson (review)
  2. N. M. Bunce
  3. pp. 134-136
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  1. Our Family Album ed. by Charles Musser and Maria-Threese Serana (review)
  2. Brian Real
  3. pp. 136-139
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  1. Ainsi naquit Hollywood: Avant l'âge d'or, les ambitions de la Triangle et des premiers studios by Marc Vernet Armand Colin (review)
  2. Clara Auclair
  3. pp. 139-141
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  1. Undercrank Productions (review)
  2. Rob King
  3. pp. 142-145
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  1. Resgate da obra cinematográfica de Gerson Tavares (Rescue of Gerson Tavares's Cinematographic Work) (review)
  2. Angélica Gasparotto de Oliveira
  3. pp. 145-149
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  1. Reevaluating Documentary Aesthetics: Kirsten Johnson's Cameraperson (review)
  2. Mina Radovic
  3. pp. 149-152
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