1. To the Coast
  2. Nadia Born
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  1. The Sea as Far as We Know
  2. Daniel Biegelson
  3. pp. 2-3
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  1. the ascent of what human from slime
  2. Halley Furlong-Mitchell
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  1. area code 604
  2. Michael Chang
  3. pp. 5-7
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  1. Exchange
  2. Will Ejzak
  3. pp. 8-15
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  1. Fruit in August
  2. Claire Christoff
  3. p. 16
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  1. Midnight Rambler
  2. Claire Christoff
  3. p. 17
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  1. Plecia nearctica
  2. Heta Patel
  3. pp. 18-19
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  1. Winter in Calexico
  2. Michael Rogner
  3. p. 20
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  1. Poppies Journal
  2. Ann S. Epstein
  3. pp. 21-26
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  1. Revision
  2. D. Gilson
  3. p. 27
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  1. Morning commute after another mass shooting
  2. Grace Gilbert
  3. p. 28
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  1. Before I Say She Is Dead, She Is Dead
  2. Benjamin S. Grossberg
  3. p. 29
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  1. All Boys with Cut Tongues
  2. Darren Donate
  3. pp. 30-31
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  1. Fortune-Telling
  2. Chelsey Grasso
  3. pp. 32-40
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  1. Outline for Freshman Comp Essay
  2. Susan Rich
  3. pp. 41-43
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  1. Mixer, Delta Iota Kappa house (“Aqua Velva”)
  2. Victoria Childress
  3. p. 44
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  1. Black Thorn Ice
  2. Beatrice Szymkowiak
  3. p. 45
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  1. act 1 scene 5 [leather pelts]
  2. Kathryne David Gargano
  3. p. 46
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  1. Liminal Space
  2. Nat Wisehart
  3. pp. 47-52
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  1. An Adult’s Guide to Nightfall
  2. Jennifer Brown
  3. p. 53
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  1. May the Circle
  2. Sherrie Fernandez-Williams
  3. p. 54
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  1. May Babies
  2. Tennessee Hill
  3. p. 55
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  1. boilerplate
  2. Justin Lacour
  3. p. 56
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  1. “lighght” and “covfefe”: reading media and misspellings from mimeo to twitterverse
  2. Andrew Rippeon
  3. pp. 57-92
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  1. The Critic and the Mime: J. Hillis Miller in Dialogue with Nidesh Lawtoo
  2. Nidesh Lawtoo
  3. pp. 93-119
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  1. Books Received
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  1. Contributors
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