1. Performance Art Is…
  2. Elliot Reed
  3. p. 2
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  1. Remembering Paul Gray, John O'Neal, Jerry Rojo, Andrzej Wirth, and Phillip Zarrilli
  2. Richard Schechner
  3. pp. 7-15
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  1. Secular Communion in the Coalfields: The Populist Aesthetic and Practice of Roadside Theater
  2. Ben Fink
  3. pp. 16-43
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  1. Double Edge Theatre in Its Ashfield Community: An Interview with Stacy Klein
  2. Richard Schechner, Stacy Klein
  3. pp. 44-71
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  1. Braiding Borders: Performance as Care and Resistance on the US-Mexico Border
  2. Kaitlin M. Murphy
  3. pp. 72-83
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  1. Moving Borders and Dancing in Place: Son Jarocho's Speaking Bodies at the Fandango Fronterizo
  2. Jade Power-Sotomayor
  3. pp. 84-107
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  1. Performing Tlatelolco and the Past That Never Dies: Auxilio: Au secours and El pasado nunca se muere, ni siquiera es pasado
  2. Jacqueline E. Bixler
  3. pp. 108-128
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  1. The Threefold Topography of Performance: Drawing, Action, and Video in María Evelia Marmolejo's Anónimo 4
  2. Juan Carlos Guerrero-Hernández
  3. pp. 129-146
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  1. Nonmaterial Performance
  2. William Condee, Barry Rountree
  3. pp. 147-157
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  1. Mut zur Wahrheit: Ambiguous Alternatives in Oliver Frljić's GOЯKI—Alternative für Deutschland?
  2. Emily Goodling
  3. pp. 158-164
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  1. The Legacy of the Mountain Witch: Yasuko Yokoshi's shuffleyamamba
  2. Rebecca Copeland
  3. pp. 165-172
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  1. Ricanness: Enduring Time in Anticolonial Performance by Sandra Ruiz (review)
  2. Jessica N. Pabón-Colón
  3. pp. 173-175
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  1. Food Fight! Millennial Mestizaje Meets the Culinary Marketplace by Paloma Martinez-Cruz (review)
  2. Alyshia Gálvez
  3. pp. 175-177
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  1. The Peyote Dance by Patti Smith (review)
  2. Branislav Jakovljević
  3. pp. 177-179
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  1. Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities by Tony McCaffrey (review)
  2. Jessica Watkin
  3. pp. 180-182
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  1. More Books
  2. Charles O'Malley
  3. pp. 187-189
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