1. Editorial: Sound & Performance
  2. Megan Johnson, Moynan King
  3. pp. 5-9
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  1. Environmental Sound and Urban Noise: Ben Rubin and Jer Thorp’s Herald/Harbinger
  2. Susan Bennett
  3. pp. 10-14
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  1. Encountering Music: Songs Seen, Felt, and Heard
  2. Kelsie Acton, Caroline Howarth, Mieko Ouchi
  3. pp. 15-20
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  1. On Listening as Analysis: The Selfie Orchestra Project
  2. Owen Chapman, Peter Sinclair
  3. pp. 27-32
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  1. This Is What It Sounds Like: Intimate Karaoke, Live at Uterine Concert Hall
  2. Dayna McLeod
  3. pp. 33-38
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  1. Writing with Sound in What We Deserve
  2. Naila Keleta-Mae
  3. pp. 39-41
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  1. World of Echo
  2. Mitchell Akiyama
  3. pp. 42-46
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  1. A Rude Sound: Notes on Suck Teeth Compositions
  2. Kristin Moriah
  3. pp. 47-51
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  1. RADAR: Challenging Colonial Soundscapes and Violence through Creation and Performance
  2. Spy Dénommé-Welch, Catherine Magowan
  3. pp. 52-56
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  1. Sound, Senses, Musical Meaning, and Digital Performance: Epistemological Reframings
  2. Doug Van Nort
  3. pp. 57-61
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  1. A Sonic Journey with Alex Bulmer
  2. Megan Johnson, Moynan King
  3. pp. 62-66
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  1. Larynx Series, Voice of Echo, and Formants: Three Sound-Based Performance Works by Erin Gee
  2. Erin Gee
  3. pp. 67-73
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  1. Editorial: Negotiating Encounters— Embodiments and Edges
  2. Jenn Cole
  3. pp. 74-75
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  1. Encounters at the Edge of the Woods: Answering Calls and Standing at the Edge of a Pandemic
  2. Trina Moyan
  3. pp. 76-81
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  1. Progress!: Review of the Progress International Festival of Performance and Ideas, The Theatre Centre, Toronto, 30 January–15 February 2020
  2. Ric Knowles
  3. pp. 82-85
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  1. Shape, Sense, Shift: Organizational and Disciplinary Changes in Dance Scholarship
  2. Anne Flynn
  3. pp. 86-89
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  1. Breaking Bread with New Invited Guests
  2. Michelle La Flamme
  3. pp. 90-92
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