1. Cómo escribir el presente: figuras de lo contemporáneo en la narrativa de César Aira
  2. Nicolás Campisi
  3. pp. 143-159
  4. DOI: 10.1353/rhm.2020.0015
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  1. Creative Flights of Fancy and Imagination in Virginia Elena Ortea’s Risas y lágrimas (1901)
  2. Emily Joy Clark
  3. pp. 160-175
  4. DOI: 10.1353/rhm.2020.0016
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  1. Clemente Palma, Carlos Toro y el paso del cometa Halley en 1910: catástrofe, palingenesia y alegoría
  2. Juan Herrero-Senés
  3. pp. 176-188
  4. DOI: 10.1353/rhm.2020.0020
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  1. Nuevos acercamientos a la participación de las mujeres en los circuitos letrados
  2. Lee Skinner
  3. pp. 227-237
  4. DOI: 10.1353/rhm.2020.0023
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  1. The Moral Electricity of Print: Transatlantic Education and the Lima Women’s Circuit, 1876–1910 by Ronald Briggs (review)
  2. Ana Peluffo
  3. pp. 239-243
  4. DOI: 10.1353/rhm.2020.0014
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  1. Edging toward Iberia by Jean Dangler (review)
  2. Suzanne Conklin Akbari
  3. pp. 243-245
  4. DOI: 10.1353/rhm.2020.0017
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  1. The Hernandez Brothers: Love, Rockets, and Alternative Comics by Enrique García (review)
  2. Alicia Muñoz
  3. pp. 246-248
  4. DOI: 10.1353/rhm.2020.0018
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  1. Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to La Joven Literatura by Leslie J. Harkema (review)
  2. Javier Krauel
  3. pp. 248-251
  4. DOI: 10.1353/rhm.2020.0019
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  1. The Ghost in the Constitution: Historical Memory and Denial in Spanish Society by Joan Ramón Resina (review)
  2. Pablo Sánchez León
  3. pp. 251-254
  4. DOI: 10.1353/rhm.2020.0022
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  1. Lettered Artists and the Languages of Empire: Painters and the Profession in Early Colonial Quito by Susan V. Webster (review)
  2. Kris Lane
  3. pp. 254-257
  4. DOI: 10.1353/rhm.2020.0025
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