1. Scottish Literary Review
  2. Rhona Brown, Scott Lyall
  3. pp. v-vii
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Articles

  1. Reading Ivanhoe in Midnight: Walter Scott and the Rise of Modern Chinese Fiction
  2. Kang-Yen Chiu
  3. pp. 1-17
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  1. Gendered Creativity: the Heroines of Count Robert of Paris
  2. Anna Fancett
  3. pp. 19-38
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  1. Bracket and Voice: Drummond of Hawthornden’s Lunular Poetics
  2. Patrick Hart
  3. pp. 39-59
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  1. Edwin Morgan’s Orientations
  2. David Kinloch
  3. pp. 61-77
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  1. Robert Burns’s ‘WR’ – The Writing-Master Revealed
  2. Clark McGinn
  3. pp. 79-90
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  1. Annie S. Swan, Publishing Phenomenon: A Book Historical Perspective
  2. Gillian Neale
  3. pp. 91-109
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  1. Tacitus, Hector Boece, and the Writing of Scottish History
  2. John-Mark Philo
  3. pp. 111-136
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  1. Some Archaeology on James Beattie’s The Minstrel (1771 and 1774)
  2. Ian Cameron Robertson
  3. pp. 137-158
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  1. Aileen Christianson 1944–2020
  2. Glenda Norquay
  3. pp. 159-161
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  1. John Manson 1932–2020
  2. Alan Riach
  3. pp. 163-165
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  1. Professor (Thomas) Douglas Macpharlain Gifford MA, PhD, FRSE 1940–2020
  2. Gerard Carruthers
  3. pp. 167-170
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  1. Statue: (i.m. Douglas Gifford)
  2. Alan MacGillivray
  3. p. 171
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Reviews

  1. Dialectics of Improvement: Scottish Romanticism, 1786–1831 by Gerard Lee McKeever (review)
  2. Daniel Cook
  3. pp. 175-177
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  1. The Literary Politics of Scottish Devolution: Voice, Class, Nation by Scott Hames (review)
  2. Cairns Craig
  3. pp. 178-181
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  1. An Ubhal as Àirde / The Highest Apple: An Anthology of Scottish Gaelic Literature ed. by Wilson McLeod and Michael Newton (review)
  2. Emma Dymock
  3. pp. 182-184
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  1. The Oxford Edition of the Works of Robert Burns: The Scots Musical Museum (Volume II and III) ed. by Murray Pittock (review)
  2. Ainsley McIntosh
  3. pp. 185-188
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  1. Robert Louis Stevenson, Literary Networks, and Transatlantic Publishing in the 1890s: The Author Incorporated by Glenda Norquay (review)
  2. Duncan Milne
  3. pp. 189-191
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  1. The Fin-De-Siècle Scottish Revival: Romance, Decadence and Celtic Identity by Michael Shaw (review)
  2. Glenda Norquay
  3. pp. 192-195
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  1. Notes on Contributors
  2. pp. 197-198
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