In this Issue
This literary gem, the rebirth of a short-lived review from the mid-twentieth century, publishes the finest in contemporary letters. Featuring fiction, poetry, memoirs, essays on literature, drama, film, the visual arts, music and dance, The Hopkins Review has been called a "postmodern blend of intellectual heft and Vaudeville" by Susan McCallum-Smith of WYPR and Urbanite magazine. Contributors include literary and scholarly heavyweights such as Max Apple, John Barth, Donald Barthelme, Millard Kaufman, Frank Kermode, and many others.
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Volume 13, Number 4, Fall 2020Table of Contents
- James Bond
- p. 481
- DOI: 10.1353/thr.2020.0072
- On Exile
- pp. 484-505
- DOI: 10.1353/thr.2020.0074
- Snow Queen
- pp. 508-530
- DOI: 10.1353/thr.2020.0076
- Fingernails
- p. 537
- DOI: 10.1353/thr.2020.0078
- On Learning to Enjoy Housman
- pp. 538-549
- DOI: 10.1353/thr.2020.0079
- Andrew Forge: The Limits of Sight
- pp. 550-552
- DOI: 10.1353/thr.2020.0080
- Free and Brave
- pp. 557-559
- DOI: 10.1353/thr.2020.0082
- Fitzgerald and Hemingway, 1931–34
- pp. 560-571
- DOI: 10.1353/thr.2020.0083
- Transplant
- pp. 572-576
- DOI: 10.1353/thr.2020.0084
- Night Baseball
- p. 577
- DOI: 10.1353/thr.2020.0085
- I Have Always Been a Whale
- p. 578
- DOI: 10.1353/thr.2020.0086
- "Says Who?": Nathalie Sarraute's Voices Off
- pp. 579-595
- DOI: 10.1353/thr.2020.0087
- Why Can't a Screen Be More Like a Page?
- pp. 596-602
- DOI: 10.1353/thr.2020.0088
- Unraveling Ravelstein: A New Interpretation
- pp. 603-609
- DOI: 10.1353/thr.2020.0089
- Film Chronicle (review)
- pp. 610-618
- DOI: 10.1353/thr.2020.0095
- Dancing in Place (review)
- pp. 619-625
- DOI: 10.1353/thr.2020.0094
- Texases: Poems by John Poch (review)
- pp. 625-628
- DOI: 10.1353/thr.2020.0093
- Sweet Nothings by Rory Waterman (review)
- pp. 628-632
- DOI: 10.1353/thr.2020.0092
- The Minor Virtues: Poems by Lynn Levin (review)
- pp. 632-635
- DOI: 10.1353/thr.2020.0091
- Notes on Contributors
- pp. 636-638
- DOI: 10.1353/thr.2020.0090
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