In this Issue
For over 50 years, SubStance has published rigorous, creative contributions to contemporary critical debates from a range of theoretical perspectives. Consistent with our commitment to readers and authors to expect the unexpected, our series SubStance At Play invites experimental visual and digital submissions that seek to extend the boundaries of established scholarship.
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Johns Hopkins University Pressviewing issue
Volume 49, Number 3, 2020 (Issue 153)Table of Contents
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View ‘Pour cet état si particulier’: Disinterest and the Impersonal Resonance of Aesthetic Experience
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‘Pour cet état si particulier’: Disinterest and the Impersonal Resonance of Aesthetic Experience
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View The Rhythm of Life as an Opening to Sensation in Georges Franju’s Le Sang des bêtes/Blood of the Beasts (1949)
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The Rhythm of Life as an Opening to Sensation in Georges Franju’s Le Sang des bêtes/Blood of the Beasts (1949)
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View Race, Class, and the Limits of the Analogical Imagination: Pier Paolo Pasolini’s African America
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Race, Class, and the Limits of the Analogical Imagination: Pier Paolo Pasolini’s African America
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| ISSN | 1527-2095 |
|---|---|
| Print ISSN | 0049-2426 |
| Launched on MUSE | 2020-11-14 |
| Open Access | No |
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