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Chthonic Restitutions: Madness and Oblivion

Jimena Berzal de Dios

pp. 3-18

DOI: https://doi.org/10.1353/sub.2020.0016

‘Pour cet état si particulier’: Disinterest and the Impersonal Resonance of Aesthetic Experience

Bryan Counter

pp. 19-36

DOI: https://doi.org/10.1353/sub.2020.0017

Ironic Immunity: Proust’s Sustainable Extinction

James Dutton

pp. 37-53

DOI: https://doi.org/10.1353/sub.2020.0018

The Rhythm of Life as an Opening to Sensation in Georges Franju’s Le Sang des bêtes/Blood of the Beasts (1949)

Sharon Jane Mee

pp. 54-70

DOI: https://doi.org/10.1353/sub.2020.0019

Race, Class, and the Limits of the Analogical Imagination: Pier Paolo Pasolini’s African America

Ara H. Merjian

pp. 71-99

DOI: https://doi.org/10.1353/sub.2020.0020

An Uncommon Reader

Christopher Norris

pp. 100-103

DOI: https://doi.org/10.1353/sub.2020.0021

Gaia Politics, Critique, and the “Planetary Imaginary”

Danielle Sands

pp. 104-121

DOI: https://doi.org/10.1353/sub.2020.0022

Contributors

pp. 122-123

DOI: https://doi.org/10.1353/sub.2020.0023

Previous Issue

Volume 49, Number 2, 2020 (Issue 152)

Next Issue

Volume 50, Number 1, 2021 (Issue 154)

Additional Information
ISSN	1527-2095
Print ISSN	0049-2426
Launched on MUSE	2020-11-14
Open Access	No

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