1. Chthonic Restitutions: Madness and Oblivion
  2. Jimena Berzal de Dios
  3. pp. 3-18
  4. DOI: 10.1353/sub.2020.0016
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  1. Pour cet état si particulier’: Disinterest and the Impersonal Resonance of Aesthetic Experience
  2. Bryan Counter
  3. pp. 19-36
  4. DOI: 10.1353/sub.2020.0017
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  1. Ironic Immunity: Proust’s Sustainable Extinction
  2. James Dutton
  3. pp. 37-53
  4. DOI: 10.1353/sub.2020.0018
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  1. The Rhythm of Life as an Opening to Sensation in Georges Franju’s Le Sang des bêtes/Blood of the Beasts (1949)
  2. Sharon Jane Mee
  3. pp. 54-70
  4. DOI: 10.1353/sub.2020.0019
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  1. Race, Class, and the Limits of the Analogical Imagination: Pier Paolo Pasolini’s African America
  2. Ara H. Merjian
  3. pp. 71-99
  4. DOI: 10.1353/sub.2020.0020
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  1. An Uncommon Reader
  2. Christopher Norris
  3. pp. 100-103
  4. DOI: 10.1353/sub.2020.0021
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  1. Gaia Politics, Critique, and the “Planetary Imaginary”
  2. Danielle Sands
  3. pp. 104-121
  4. DOI: 10.1353/sub.2020.0022
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  1. Contributors
  2. pp. 122-123
  3. DOI: 10.1353/sub.2020.0023
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