1. In Memoriam: Eric Bentley (1916–2020)
  2. Gordon Rogoff
  3. pp. 259-261
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  1. "As Inspiring as the Muses, as Righteous as the Supreme Court": The Trial of the Catonsville Nine and Jurisprudential Drama
  2. Alex Feldman
  3. pp. 262-288
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  1. Toward a Progressive Ethics of Shamelessness: Heresy and Affect in Bernard Shaw's Saint Joan
  2. Brad Kent
  3. pp. 289-309
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  1. Matters of the Heart: The Poetics of Trauma in Harold Pinter's Ashes to Ashes
  2. Matthew Roberts
  3. pp. 311-329
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  1. Ruhls of the House: Surreal Spaces for Queer Homes in the Plays of Sarah Ruhl
  2. Bess Rowen
  3. pp. 330-353
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  1. Space, Symbols, and Speech in Gurpreet Kaur Bhatti's Behzti and Its Reception
  2. Rehana Ahmed
  3. pp. 354-372
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  1. Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary Mcavoy (review)
  2. Christin Essin
  3. pp. 373-375
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  1. Baroque Lorca: An Archaist Playwright for the New Stage by Andrés Pérez-Simón (review)
  2. Jonathan Mayhew
  3. pp. 375-377
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  1. Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage by Max Shulman and J. Chris Westgate (review)
  2. Jonathan Shandell
  3. pp. 377-379
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  1. Aquí and Allá: Transnational Dominican Theater and Performance by Camilla Stevens (review)
  2. Analola Santana
  3. pp. 379-382
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  1. Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin (review)
  2. Patrick Maley
  3. pp. 382-384
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  1. Tragedy since 9/11: Reading a World Out of Joint by Jennifer Wallace (review)
  2. Birgit Däwes
  3. pp. 384-387
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