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In this Issue

Table of Contents

  1. The March of Time in Britain and the International History of Documentary Film
  2. Gracia Ramírez
  3. pp. 1-27
  4. restricted access
  1. "All Those Little Spools and Lights": The Moving Image at Angola Prison
  2. Joshua A. Mitchell
  3. pp. 28-54
  4. DOI: https://doi.org/10.2979/filmhistory.32.2.02
  5. restricted access
  1. The Geocultural Provenance of Narratives: The Case of the Kuleshov Effect
  2. Anna Kolesnikov
  3. pp. 55-79
  4. DOI: https://doi.org/10.2979/filmhistory.32.2.03
  5. restricted access
  1. Brushstroke Cinema: The Concept of Matte Painting in the Work of Peter Ellenshaw and Albert Whitlock
  2. Dario Lanza
  3. pp. 80-99
  4. DOI: https://doi.org/10.2979/filmhistory.32.2.04
  5. restricted access
  1. Another Footnote to the History of Riefenstahl's Olympia
  2. Srđan Radaković
  3. pp. 100-120
  4. restricted access
  1. "The Film Is Our Director": Interview with Ken Winokur, Terry Donahue, and Roger Miller—The Alloy Orchestra
  2. Scott Macdonald
  3. pp. 121-143
  4. DOI: https://doi.org/10.2979/filmhistory.32.2.06
  5. restricted access