1. Scholar Spotlight: Soraya Murray
  2. TreaAndrea M. Russworm
  3. pp. 1-3
  4. DOI: 10.1353/cj.2020.0059
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  1. Elements of Post-Katrina African American Documentary Film
  2. Courtney R. Baker
  3. pp. 4-25
  4. DOI: 10.1353/cj.2020.0060
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  1. The Horror of Discorrelation: Mediating Unease in Post-Cinematic Screens and Networks
  2. Shane Denson
  3. pp. 26-48
  4. DOI: 10.1353/cj.2020.0061
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  1. "Anybody with a buck": Terry Turner and the Ecosystems of Film Promotion, 1920–1960
  2. A. T. McKenna
  3. pp. 49-69
  4. DOI: 10.1353/cj.2020.0062
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  1. The Hero's Mass and the Ontological Politics of the Image
  2. Constantine V. Nakassis
  3. pp. 70-91
  4. DOI: 10.1353/cj.2020.0063
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  1. Time, Digital Environments, and the Documentary Experience
  2. Vinicius Navarro
  3. pp. 92-110
  4. DOI: 10.1353/cj.2020.0064
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  1. The Western Frontier and American Pulp in la Zone: Marcel Carné's Terrain vague (1960) as Proto-Banlieue Film
  2. Joy C. Schaefer
  3. pp. 111-132
  4. DOI: 10.1353/cj.2020.0065
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  1. Introduction
  2. Alfred L. Martin Jr.
  3. pp. 134-137
  4. DOI: 10.1353/cj.2020.0066
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  1. Production Studies of Race and the Political Economy of Media
  2. Anamik Saha
  3. pp. 138-142
  4. DOI: 10.1353/cj.2020.0067
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  1. Organic Representation as Cultural Reparation
  2. Aymar Jean Christian, Khadijah Costley White
  3. pp. 143-147
  4. DOI: 10.1353/cj.2020.0068
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  1. The Problem with Apu, Whiteness, and Racial Hierarchies in US Media Industries
  2. Madhavi Mallapragada
  3. pp. 148-152
  4. DOI: 10.1353/cj.2020.0069
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  1. Diversify, Rinse, Repeat: The Direct Market, Sales Data, and Marvel Comics' Diversity Cycle
  2. Kathryn M. Frank
  3. pp. 153-157
  4. DOI: 10.1353/cj.2020.0070
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  1. Algorithmic Audience Modeling and the Fate of African American Audiences
  2. Timothy J. Havens
  3. pp. 158-162
  4. DOI: 10.1353/cj.2020.0071
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  1. Queer Times, Black Futures by Kara Keeling (review)
  2. Courtney R. Baker
  3. pp. 164-167
  4. DOI: 10.1353/cj.2020.0072
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  1. Frame by Frame: A Materialist Aesthetics of Animated Cartoons by Hannah Frank (review)
  2. Dan Bashara
  3. pp. 168-172
  4. DOI: 10.1353/cj.2020.0073
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  1. Cartoon Vision: UPA Animation and Postwar Aesthetics by Dan Bashara (review)
  2. Ryan Pierson
  3. pp. 173-178
  4. DOI: 10.1353/cj.2020.0074
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  1. Latin American Film Industries by Tamara L. Falicov (review)
  2. Paul A. Schroeder Rodríguez
  3. pp. 179-182
  4. DOI: 10.1353/cj.2020.0075
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  1. Media in Mind by Daniel Reynolds (review)
  2. Rob van der Bliek
  3. pp. 183-186
  4. DOI: 10.1353/cj.2020.0076
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