1. Humanism, Painting, and the Book as Physical Object in Renaissance Culture
  2. Craig Kallendorf
  3. pp. 1-39
  4. DOI: 10.1353/bh.2020.0000
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  1. Reading as Patterned Play: Everyday Religion and the Spatialization of Doctrine in a Buddhist Board Game
  2. Charlotte Eubanks
  3. pp. 40-75
  4. DOI: 10.1353/bh.2020.0001
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  1. The House of Harper: Melville's Anti-Catholic Publisher
  2. James Emmett Ryan
  3. pp. 76-98
  4. DOI: 10.1353/bh.2020.0002
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  1. Transatlantic Dickens; or, Travels Through Nineteenth-Century Book History in America
  2. David Bordelon
  3. pp. 99-129
  4. DOI: 10.1353/bh.2020.0003
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  1. Visualizing the Stanley-Livingstone Meeting: The Birth and Lives of an Iconic Scene in Print Media and Beyond since 1872
  2. Leila Koivunen
  3. pp. 130-168
  4. DOI: 10.1353/bh.2020.0004
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  1. The Postwar American Poet's Library: An Archival Consideration with Charles Olson and the Maud/Olson Library
  2. Mary Catherine Kinniburgh
  3. pp. 206-236
  4. DOI: 10.1353/bh.2020.0005
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  1. Between Two Markets: Gordon Murray, Ryerson Press, and the Publishing of Medical Autobiography in the 1960s
  2. Jennifer J. Connor
  3. pp. 237-268
  4. DOI: 10.1353/bh.2020.0006
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  1. Forgetting Fiction: An Oral History of Reading: (Centred on Interviews in South London, 2014–15)
  2. Shelley Trower
  3. pp. 269-298
  4. DOI: 10.1353/bh.2020.0007
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  1. The Lost Erotica of James West
  2. Patrick Spedding
  3. pp. 299-334
  4. DOI: 10.1353/bh.2020.0008
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  1. The Role and Function of Author Interviews in the Contemporary Anglophone Literary Field
  2. Rebecca Roach
  3. pp. 335-364
  4. DOI: 10.1353/bh.2020.0009
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  1. The Page Image: Towards a Visual History of Digital Documents
  2. Andrew Piper, Chad Wellmon, Mohamed Cheriet
  3. pp. 365-397
  4. DOI: 10.1353/bh.2020.0010
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  1. Contributors
  2. pp. 398-401
  3. DOI: 10.1353/bh.2020.0011
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