In this Issue

Table of Contents

The Ethics of Imagination in Rainer Maria Rilke’s Die Aufzeichnungen des Malte Laurids Brigge

Kata Gellen
pp. 455-474
DOI: https://doi.org/10.1353/gsr.2020.0077
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Looking at Hitler Looking: A Visual Reconstruction of Hitler’s Gaze on 1930s Berlin

Isabella Cuan
pp. 475-497
DOI: https://doi.org/10.1353/gsr.2020.0078
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Traveling Memories of the Holocaust in the Occupied Soviet Union: Hans Scholz’s Through the Night and Its Remediation

Magdalena Saryusz-Wolska
pp. 499-515
DOI: https://doi.org/10.1353/gsr.2020.0079
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Sprechkunst and the Spell of the Commodity: Klaus Kinski on Tour

Andrew McCann
pp. 517-535
DOI: https://doi.org/10.1353/gsr.2020.0080
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Middle-Class German Migrants in the United States: Migrants, Immigrants, Expatriates, Transmigrants, Mobile Citizens, or German Americans?

Barbara Schmitter Heisler
pp. 537-551
DOI: https://doi.org/10.1353/gsr.2020.0081
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Virtual Belonging(s): Transnational Media Practices among German and Austrian Immigrants in Israel

Gisela Dachs
pp. 553-570
DOI: https://doi.org/10.1353/gsr.2020.0082
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Telluric Poetics: The City and Its Natural Histories in Thomas Kling’s Poem “Manhattan Mundraum”

Margareta Ingrid Christian
pp. 571-592
DOI: https://doi.org/10.1353/gsr.2020.0083
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Hitler Reconsidered: A New Construct by Peter Longerich and His Contemporaries

Paul Bookbinder
pp. 593-603
DOI: https://doi.org/10.1353/gsr.2020.0084
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Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist by Ellwood Wiggins (review)

Eleanor ter Horst
pp. 605-606
DOI: https://doi.org/10.1353/gsr.2020.0085
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E.T.A. Hoffmann’s Orient: Romantic Aesthetics and the German Imagination by Joanna Neilly, and: E.T.A. Hoffmann: Transgressive Romanticism ed. by Christopher Clason (review)

Polly Dickson
pp. 607-610
DOI: https://doi.org/10.1353/gsr.2020.0086
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Ambiguous Aggression in German Realism and Beyond: Flirtation, Passive Aggression, Domestic Violence by Barbara N. Nagel (review)

Benjamin Sauvé
pp. 610-612
DOI: https://doi.org/10.1353/gsr.2020.0087
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Der populäre Pakt. Verhandlungen der Moderne zwischen Operette und Feuilleton by Ethel Matala de Mazza (review)

Sean Franzel
pp. 612-615
DOI: https://doi.org/10.1353/gsr.2020.0088
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Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater by Caroline A. Kita (review)

Catherine Greer
pp. 615-617
DOI: https://doi.org/10.1353/gsr.2020.0089
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Music and the New Global Culture: From the Great Exhibitions to the Jazz Age by Harry Liebersohn (review)

Jake P. Smith
pp. 617-619
DOI: https://doi.org/10.1353/gsr.2020.0090
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Reading Colour: George, Rilke, Kandinsky, Lasker-Schüler by Rey Conquer (review)

Neil H. Donahue
pp. 619-621
DOI: https://doi.org/10.1353/gsr.2020.0091
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Hunger in War and Peace: Women and Children in Germany, 1914–1924 by Mary E. Cox (review)

Alexandria N. Ruble
pp. 621-623
DOI: https://doi.org/10.1353/gsr.2020.0092
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Revenants of the German Empire: Colonial Germans, Imperialism, and the League of Nations by Sean Andrew Wempe (review)

Shawn M. Reagin
pp. 623-625
DOI: https://doi.org/10.1353/gsr.2020.0093
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Violence as Usual: Policing and the Colonial State in German Southwest Africa by Marie Muschalek (review)

Martin Kalb
pp. 625-627
DOI: https://doi.org/10.1353/gsr.2020.0094
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Transnational Nazism: Ideology and Culture in German-Japanese Relations, 1919–1936 by Ricky W. Law (review)

Annika A. Culver
pp. 627-629
DOI: https://doi.org/10.1353/gsr.2020.0095
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Austrian Reconstruction and the Collapse of Global Finance, 1921–1931 by Nathan Marcus (review)

Benjamin Hein
pp. 629-632
DOI: https://doi.org/10.1353/gsr.2020.0096
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Fragmente aus der Endzeit. Negatives Geschichtsdenken bei Günther Anders by Anna Pollmann (review)

Christopher John Müller
pp. 632-635
DOI: https://doi.org/10.1353/gsr.2020.0097
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Comic Books, Graphic Novels and the Holocaust: Beyond Maus ed. by Ewa Stancyzk (review)

Lynn Marie Kutch
pp. 635-637
DOI: https://doi.org/10.1353/gsr.2020.0098
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A People’s Music: Jazz in East Germany, 1945–1990 by Helma Kaldewey (review)

Wolfram Knauer
pp. 637-639
DOI: https://doi.org/10.1353/gsr.2020.0099
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Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema by Seán Allan (review)

Seth Howes
pp. 640-642
DOI: https://doi.org/10.1353/gsr.2020.0100
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West Germany and the Iron Curtain: Environment, Economy, and Culture in the Borderlands by Astrid Eckert (review)

Thomas Lekan
pp. 642-644
DOI: https://doi.org/10.1353/gsr.2020.0101
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Bernhards Baukasten. Schrift und sequentielle Poetik in Thomas Bernhards Prosa by Catherine Marten (review)

Jacob Haubenreich
pp. 644-646
DOI: https://doi.org/10.1353/gsr.2020.0102
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Blood Brothers and Peace Pipes: Performing the Wild West in German Festivals by A. Dana Weber (review)

Lisa King
pp. 646-649
DOI: https://doi.org/10.1353/gsr.2020.0103
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Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture by Claudia Schwabe (review)

Julie L.J. Koehler
pp. 649-651
DOI: https://doi.org/10.1353/gsr.2020.0104
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Das Humboldt Lab. Museumsexperimente zwischen postkolonialer Revision und szenografischer Wende by Johanna Di Blasi (review)

Mark W. Rectanus
pp. 651-653
DOI: https://doi.org/10.1353/gsr.2020.0105
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The German New Right: AfD, Pegida and the Re-Imagining of National Identity by Jay Julian Rosellini (review)

Julian Göpffarth
pp. 653-655
DOI: https://doi.org/10.1353/gsr.2020.0106
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Contributors

pp. 657-658
DOI: https://doi.org/10.1353/gsr.2020.0107
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