1. The Great Awakening: Are We Up to the Challenge?
  2. Diana Ayton-Shenker
  3. p. 476
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  1. Conceptual Art and Abstraction: Deconstructed Painting
  2. Mariusz Stanowski
  3. pp. 485-491
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  1. Portable Projections: Analyzing Cocreated Site-Specific Video Walks
  2. Rocio von Jungenfeld
  3. pp. 492-497
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  1. Faces of Merseyside: Exploring Cognitive Bias through Facial Averages
  2. Caroline Wilkinson, Stenton MacKenzie, Kathryn Smith
  3. pp. 498-503
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  1. Biofeedback Painting: Let the Heart Lead the Brush
  2. Bin Yu, Rogier Arents
  3. pp. 504-509
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  1. Indistinguishable from Magic: Perception, Knowledge, Technology, Art
  2. Garfield Benjamin
  3. pp. 510-514
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  1. The Sacred Geometry of Velázquez’s Las Meninas
  2. Petr Bouc
  3. pp. 515-521
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  1. Metamorphic Leaves
  2. Sabri Gokmen
  3. pp. 522-528
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  1. Reordering the Assemblages of the Digital through Art and Open Prototyping
  2. Drew Hemment
  3. pp. 529-536
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  1. A Layered, Bounded, Integrated Approach to Research on the Arts across Disciplines
  2. Dominic Mciver Lopes
  3. pp. 537-541
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  1. Eye Tracking, Spatial Biases and Normative Spectatorship in Museums
  2. Michael Tymkiw, Tom Foulsham
  3. pp. 542-546
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  1. Resisting Clarity/Highlighting Form: Comparing Vanguard Approaches in Poetry and Programming
  2. Irina Lyubchenko
  3. pp. 547-551
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  1. Top-Rated LABS Abstracts 2019
  2. Sheila Pinkel
  3. pp. 552-558
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  1. Color Plates: Top-Rated Labs Abstracts 2019
  2. pp. 559-562
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  1. Dialectics of Nature: Metabolic Architectures Meet Intelligent Guerrilla Beehives
  2. Dennis Dollens, Annemarie Maes
  3. pp. 563-570
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  1. Creative Works Exploring Our Information Ecosystem: 1970–1979
  2. Richard Lowenberg
  3. pp. 571-577
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  1. A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century by Andrei Pop (review)
  2. Jan Baetens, Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson
  3. pp. 579-580
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  1. Sensations of History: Animation and New Media Art by James J. Hodge (review)
  2. Jan Baetens
  3. pp. 580-581
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  1. Medical Technics by Don Idhe (review)
  2. Michael Punt
  3. pp. 581-582
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  1. Sound Art Revisited by Alan Licht (review)
  2. John F. Barber
  3. pp. 582-583
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  1. Architectures of the Unforeseen: Essays in the Occurrent Arts by Brian Massumi (review)
  2. Edith Doove
  3. pp. 583-584
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  1. Yellow: The History of a Color by Michel Pastoureau (review)
  2. Giovanna L. Costantini
  3. pp. 584-585
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  1. Ici, Mais Plus Maintenant: Poésie; Photographies de Milan Chlumsky by Jan Baetens (review)
  2. Daisy Gudmunsen
  3. pp. 585-586
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  1. Vital Forms: Biological Art, Architecture, and the Dependencies of life by Jennifer Johung (review)
  2. Robert Maddox-Harle
  3. pp. 586-587
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  1. Habiter En Oiseau by Vinciane Despret (review)
  2. Edith Doove
  3. pp. 587-588
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  1. Popular Viennese Electronic Music, 1990–2015: A Cultural History by Ewa Mazierska (review)
  2. Beate Peter
  3. p. 588
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  1. Six Concepts for the End of the World by Steven Beard, and: Being Material ed. by Marie-Pier Boucher etal. (review)
  2. Brian Reffin Smith
  3. pp. 589-590
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  1. The Webcam As an Emerging Cinematic Medium by Paula Albuquerque (review)
  2. Will Luers
  3. pp. 590-591
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  1. Heimat Is a Space in Time by Thomas Heise, and: Chez Jolie Coiffure by Rosine Mbakam, and: The Cordillera of Dreams by Patricio Guzman (review)
  2. Mike Leggett
  3. pp. 591-592
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  1. Leonardo Reviews Online
  2. p. 593
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  1. The Network
  2. pp. 594-595
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