In this Issue

Table of Contents

From the Editor

Siyuan Liu
pp. v-vi
DOI: https://doi.org/10.1353/atj.2020.0053
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In Memoriam

Princess Norodom Buppha Devi (1943–2019): A Life in Dance

Suppya Hélène Nut, Boreth Ly
pp. 311-327
DOI: https://doi.org/10.1353/atj.2020.0031
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Translation

Minutes of "Evening to Sum Up the Conclusions from the Stay of the Theatre of Mei Lanfang in the Soviet Union" at The All-Union Society for Cultural Relations with Foreign Countries (VOKS) on Sunday, 14 April 1935

Janne Risum
pp. 328-375
DOI: https://doi.org/10.1353/atj.2020.0032
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Articles

Theatre of "Disbelief": Meng Jinghui's Cynical Metatheatre in Contemporary China

Hongjian Wang
pp. 376-397
DOI: https://doi.org/10.1353/atj.2020.0033
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Performing Lost Politics: Yijing yisheng Yibusheng (Ibsen in One Take) (2012) and Wang Chong's Double-Coded New Wave Theatre

Yizhou Huang
pp. 398-425
DOI: https://doi.org/10.1353/atj.2020.0034
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Yoo Chijin's Strategy to Popularize Singeuk in Colonial Korea: The Story of Chunhyang and Porgy

Kim Jaesuk
pp. 426-441
DOI: https://doi.org/10.1353/atj.2020.0035
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The Role of Armenians in Establishing Western Theatre in the Ottoman Empire

Elif Baş
pp. 442-463
DOI: https://doi.org/10.1353/atj.2020.0036
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Reports

We Are Not Solid Beings: Presence in Butoh, Buddhism, and Phenomenology

Sondra Fraleigh
pp. 464-489
DOI: https://doi.org/10.1353/atj.2020.0037
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Creating Bhumi for Sanggar Çudamani, Bali

I Nyoman Cerita, Kathy Foley
pp. 490-508
DOI: https://doi.org/10.1353/atj.2020.0038
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Masks and Costumes of Ankiya Bhaona

Deepsikha Chatterjee
pp. 509-532
DOI: https://doi.org/10.1353/atj.2020.0039
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Emerging Schoalrs

Cultural Anxiety and the Reconstruction of the Xiqu Tradition through Mei Lanfang's Overseas Performances, 1919–1930

Chao Guo
pp. 533-548
DOI: https://doi.org/10.1353/atj.2020.0040
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Rhythmic Tendencies in the Choreographies of Dairakudakan's Muramatsu Takuya

Sebastian Samur
pp. 549-563
DOI: https://doi.org/10.1353/atj.2020.0041
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"An Island of Death": Homo Sacer and Ungrievable Deaths

Y.J Hwang
pp. 564-580
DOI: https://doi.org/10.1353/atj.2020.0042
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Performance Review

Of Shadows dir. by Yi Cui (review)

Claudia Orenstein
pp. 581-584
DOI: https://doi.org/10.1353/atj.2020.0043
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Book Reviews

Transnational

Race by Martin Orkin (review)

Noe Montez
pp. 585-587
DOI: https://doi.org/10.1353/atj.2020.0044
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Theatre & Islam by Marvin Carlson (review)

Hala Baki
pp. 587-590
DOI: https://doi.org/10.1353/atj.2020.0045
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New Postcolonial Dialectics: An Intercultural Comparison of Indian and Nigerian Plays by Sarbani Sen Vengadasalam (review)

Satkirti Sinha
pp. 590-592
DOI: https://doi.org/10.1353/atj.2020.0046
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China

China's Chaplin: Comic Stories and Farces by Xu Zhuodai (review)

Yizhou Huang
pp. 593-596
DOI: https://doi.org/10.1353/atj.2020.0047
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Adapting Western Classics for the Chinese Stage by Shouhua Qi (review)

Maggie Greene
pp. 596-598
DOI: https://doi.org/10.1353/atj.2020.0048
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Japan

Tokyo Listening: Sound and Sense in a Contemporary City by Lorraine Plourde (review)

Po-Hsien Chu
pp. 598-601
DOI: https://doi.org/10.1353/atj.2020.0049
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India

Kathakaliyude Kaipusthakam (A Handbook of Kathakali) by Vellinezhi Achuthankutty (review)

Vishnu Achutha Menon
pp. 602-603
DOI: https://doi.org/10.1353/atj.2020.0050
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Cultural Labour: Conceptualizing the 'Folk Performance' in India by Brahma Prakash (review)

Claire Pamment
pp. 604-606
DOI: https://doi.org/10.1353/atj.2020.0051
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Southeast Asia

The Serpent's Tail: A Brief History of Khmer Classical Dance by Prumsodun Ok (review)

Margaret Coldiron
pp. 606-611
DOI: https://doi.org/10.1353/atj.2020.0052
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