1. From the Editor
  2. Siyuan Liu
  3. pp. v-vi
  4. DOI: 10.1353/atj.2020.0053
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  1. Princess Norodom Buppha Devi (1943–2019): A Life in Dance
  2. Suppya Hélène Nut, Boreth Ly
  3. pp. 311-327
  4. DOI: 10.1353/atj.2020.0031
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  1. Theatre of "Disbelief": Meng Jinghui's Cynical Metatheatre in Contemporary China
  2. Hongjian Wang
  3. pp. 376-397
  4. DOI: 10.1353/atj.2020.0033
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  1. Performing Lost Politics: Yijing yisheng Yibusheng (Ibsen in One Take) (2012) and Wang Chong's Double-Coded New Wave Theatre
  2. Yizhou Huang
  3. pp. 398-425
  4. DOI: 10.1353/atj.2020.0034
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  1. Yoo Chijin's Strategy to Popularize Singeuk in Colonial Korea: The Story of Chunhyang and Porgy
  2. Kim Jaesuk
  3. pp. 426-441
  4. DOI: 10.1353/atj.2020.0035
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  1. The Role of Armenians in Establishing Western Theatre in the Ottoman Empire
  2. Elif Baş
  3. pp. 442-463
  4. DOI: 10.1353/atj.2020.0036
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  1. We Are Not Solid Beings: Presence in Butoh, Buddhism, and Phenomenology
  2. Sondra Fraleigh
  3. pp. 464-489
  4. DOI: 10.1353/atj.2020.0037
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  1. Creating Bhumi for Sanggar Çudamani, Bali
  2. I Nyoman Cerita, Kathy Foley
  3. pp. 490-508
  4. DOI: 10.1353/atj.2020.0038
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  1. Masks and Costumes of Ankiya Bhaona
  2. Deepsikha Chatterjee
  3. pp. 509-532
  4. DOI: 10.1353/atj.2020.0039
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  1. Cultural Anxiety and the Reconstruction of the Xiqu Tradition through Mei Lanfang's Overseas Performances, 1919–1930
  2. Chao Guo
  3. pp. 533-548
  4. DOI: 10.1353/atj.2020.0040
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  1. Rhythmic Tendencies in the Choreographies of Dairakudakan's Muramatsu Takuya
  2. Sebastian Samur
  3. pp. 549-563
  4. DOI: 10.1353/atj.2020.0041
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  1. "An Island of Death": Homo Sacer and Ungrievable Deaths
  2. Y.J Hwang
  3. pp. 564-580
  4. DOI: 10.1353/atj.2020.0042
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  1. Of Shadows dir. by Yi Cui (review)
  2. Claudia Orenstein
  3. pp. 581-584
  4. DOI: 10.1353/atj.2020.0043
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  1. Race by Martin Orkin (review)
  2. Noe Montez
  3. pp. 585-587
  4. DOI: 10.1353/atj.2020.0044
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  1. Theatre & Islam by Marvin Carlson (review)
  2. Hala Baki
  3. pp. 587-590
  4. DOI: 10.1353/atj.2020.0045
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  1. New Postcolonial Dialectics: An Intercultural Comparison of Indian and Nigerian Plays by Sarbani Sen Vengadasalam (review)
  2. Satkirti Sinha
  3. pp. 590-592
  4. DOI: 10.1353/atj.2020.0046
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  1. China's Chaplin: Comic Stories and Farces by Xu Zhuodai (review)
  2. Yizhou Huang
  3. pp. 593-596
  4. DOI: 10.1353/atj.2020.0047
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  1. Adapting Western Classics for the Chinese Stage by Shouhua Qi (review)
  2. Maggie Greene
  3. pp. 596-598
  4. DOI: 10.1353/atj.2020.0048
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  1. Tokyo Listening: Sound and Sense in a Contemporary City by Lorraine Plourde (review)
  2. Po-Hsien Chu
  3. pp. 598-601
  4. DOI: 10.1353/atj.2020.0049
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  1. Kathakaliyude Kaipusthakam (A Handbook of Kathakali) by Vellinezhi Achuthankutty (review)
  2. Vishnu Achutha Menon
  3. pp. 602-603
  4. DOI: 10.1353/atj.2020.0050
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  1. Cultural Labour: Conceptualizing the 'Folk Performance' in India by Brahma Prakash (review)
  2. Claire Pamment
  3. pp. 604-606
  4. DOI: 10.1353/atj.2020.0051
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  1. The Serpent's Tail: A Brief History of Khmer Classical Dance by Prumsodun Ok (review)
  2. Margaret Coldiron
  3. pp. 606-611
  4. DOI: 10.1353/atj.2020.0052
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