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Table of Contents

  1. Introduction
  2. Jennifer Fay, Daniel Morgan
  3. pp. 3-19
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0003
  5. restricted access
  1. The World Heard
  2. Kyle Stevens
  3. pp. 20-48
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0020
  5. restricted access
  1. Between Scylla and Charybdis: Toward a Viable Medium Specifi city
  2. Kathleen Kelley
  3. pp. 49-80
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0049
  5. restricted access
  1. Attending to Film: The World Viewed and Cinematic Political Thinking
  2. Davide Panagia
  3. pp. 81-111
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0081
  5. restricted access
  1. Must We Mean What We Film?: Stanley Cavell and the Candid Camera
  2. Jennifer Fay
  3. pp. 112-139
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0112
  5. restricted access
  1. When There's No More Room in Hell, Should We Read Stanley Cavell?
  2. James McFarland
  3. pp. 140-172
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0140
  5. restricted access
  1. Turning to Nature: Cavell and Experimental Cinema
  2. Dave Burnham
  3. pp. 173-208
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0173
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  1. Modernist Investigations: A Reading of The World Viewed
  2. Daniel Morgan
  3. pp. 209-240
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0209
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  1. Modernizing the Movie Theater
  2. Marsha Gordon
  3. pp. 241-243
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0241
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  1. Complicating the "Good War"
  2. Eileen Rositzka
  3. pp. 244-249
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0244
  5. restricted access
  1. Do Borgesians Dream of Transcendent Totality?
  2. Sarah Warren
  3. pp. 250-253
  4. DOI: https://doi.org/10.13110/discourse.42.1-2.0250
  5. restricted access
  1. Contributors
  3. pp. 254-256
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