1. Introduction: African Audiences: Making Meanings across Media
  2. Ruth Bush, Claire Ducournau
  3. pp. vii-xv
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  1. Graphic Fictions: Reader Research and the Making of a Comic Strip in 1950s “British West Africa”
  2. Stephanie Newell
  3. pp. 1-20
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  1. On the Hospitality of Print: Ousmane Socé’s Bingo and Its Publics
  2. Tobias Warner
  3. pp. 21-44
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  1. “Small Readers” and Big Magazines: Reading Publics in Bingo, La Vie Africaine, and Awa: la revue de la femme noire
  2. Ruth Bush, Claire Ducournau
  3. pp. 45-69
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  1. Our Readers Write: Mediating African Poetry’s Audiences
  2. Tsitsi Jaji
  3. pp. 70-93
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  1. Literary and Cinematic Scenes of Reading in the Works of Ousmane Sembène
  2. Louis Ndong, Georgina Collins
  3. pp. 94-108
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  1. Jacqueline Kalimunda’s Interactive Love Stories: Transmedia Documentary in Present-Day Rwanda
  2. George MacLeod
  3. pp. 109-132
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  1. Digital Lab Africa, 2016–19: Emerging Contours of African New Media Narrative Publishing Landscapes
  2. Katelyn Knox
  3. pp. 133-151
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  1. Making Sense of Language Use in Foreign Soap Operas: The Case of Bamenda Market Women
  2. Delphine Ngehndab
  3. pp. 152-167
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  1. Crafting the Popular Stage Space in Urban Senegal
  2. Brian Valente-Quinn
  3. pp. 168-186
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