The Massachusetts Review

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Introduction
Jim Hicks
pp. 392-393
DOI: https://doi.org/10.1353/mar.2020.0061

For them to arrive
C. P. Cavafy, Alex de Voogt
p. 394
DOI: https://doi.org/10.1353/mar.2020.0062

Moonward
Gwen Thompkins
pp. 395-400
DOI: https://doi.org/10.1353/mar.2020.0063

Of Crooked Eclipses
Karen S. Henry
pp. 401-416
DOI: https://doi.org/10.1353/mar.2020.0064

Anatomy
Steven Duong
p. 417
DOI: https://doi.org/10.1353/mar.2020.0065

Wood and Wire
Ryler Dustin
pp. 418-419
DOI: https://doi.org/10.1353/mar.2020.0066

XXIII
Pablo Neruda, Karen Hilberg
p. 420
DOI: https://doi.org/10.1353/mar.2020.0067

from Bug
Giacomo Sartori, Frederika Randall
pp. 421-426
DOI: https://doi.org/10.1353/mar.2020.0068

Unsafe Haven
Amanda Kabak
pp. 427-440
DOI: https://doi.org/10.1353/mar.2020.0069

Local Lockdown: Recent Photographs
Paul Shoul
pp. 441-452
DOI: https://doi.org/10.1353/mar.2020.0070

When he said Sell a book, I heard Sail
Julia Thacker
p. 453
DOI: https://doi.org/10.1353/mar.2020.0071

Iris
Alanna Schubach
pp. 454-471
DOI: https://doi.org/10.1353/mar.2020.0072

Double Antonia
Andrea Maturana, Allison Braden
pp. 472-475
DOI: https://doi.org/10.1353/mar.2020.0073

Opossum Problems
Kathleen Hawes
pp. 476-480
DOI: https://doi.org/10.1353/mar.2020.0074

Effluvium
Emily Van Kley
pp. 481-482
DOI: https://doi.org/10.1353/mar.2020.0075

Breaking
Marcela Sulak
pp. 483-485
DOI: https://doi.org/10.1353/mar.2020.0076

Ice Diving
Emily Schulten
pp. 486-487
DOI: https://doi.org/10.1353/mar.2020.0077

Reverse Migration
Ammiel Alcalay
pp. 488-496
DOI: https://doi.org/10.1353/mar.2020.0078

On the Way to Jack's House
Margaret Lloyd
pp. 497-510
DOI: https://doi.org/10.1353/mar.2020.0079

Dark Harbor
Lance Larsen
p. 511
DOI: https://doi.org/10.1353/mar.2020.0080

To Change the Script: Alan McBride, Gerry Adams, and Five Minutes of Heaven
Philip Metres
pp. 512-523
DOI: https://doi.org/10.1353/mar.2020.0081

The Return
Aeriel Merillat
pp. 524-533
DOI: https://doi.org/10.1353/mar.2020.0082

"As with a Harvest"
Cody Kommers
pp. 534-551
DOI: https://doi.org/10.1353/mar.2020.0083

For My Father the West Begins in Africa
Esther Lin
pp. 552-554
DOI: https://doi.org/10.1353/mar.2020.0084

Birds of the Land
Annie Lampman
pp. 555-559
DOI: https://doi.org/10.1353/mar.2020.0085

The Color of Death
Selina Hossain, Mohammad Shafiqul Islam
pp. 560-567
DOI: https://doi.org/10.1353/mar.2020.0086

Song of Parting
Lu Min, Michael Day
pp. 568-583
DOI: https://doi.org/10.1353/mar.2020.0087

G-d, a Portrait
Brooke Sahni
p. 584
DOI: https://doi.org/10.1353/mar.2020.0088

The Middle of Things
Sonya Chyu
pp. 585-591
DOI: https://doi.org/10.1353/mar.2020.0089

Is the Past What's Left in the Glove Compartment
Marianne Boruch
p. 592
DOI: https://doi.org/10.1353/mar.2020.0090

Notes on Contributors
pp. 593-597
DOI: https://doi.org/10.1353/mar.2020.0091

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