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In this Issue

Table of Contents

  1. Editorial Comment: Minor Asias
  2. Sean Metzger
  3. pp. xiii-xviii
  4. DOI: https://doi.org/10.1353/tj.2020.0061
  5. restricted access

Essays

  1. Siliconicity: Yozmit and Performing a Trans Asian Horizon
  2. Ali Na
  3. pp. 277-290
  4. DOI: https://doi.org/10.1353/tj.2020.0063
  5. restricted access
  1. Between the Visible (youxing) and the Invisible (wuxing): Zhang Xian, Zuheniao, and the Minor Performance Praxes in Contemporary China
  2. Chiayi Seetoo
  3. pp. 291-307
  4. DOI: https://doi.org/10.1353/tj.2020.0064
  5. restricted access
  1. Imagining Bradford: Islam, Space, and Anxiety in Multitudes and Combustion
  2. Asif Majid
  3. pp. 309-323
  4. DOI: https://doi.org/10.1353/tj.2020.0065
  5. restricted access
  1. Decoloniality and Contemporary Asian Theatre in New Zealand
  2. Cynthia Hiu Ying Lam, Rand T. Hazou
  3. pp. 325-343
  4. DOI: https://doi.org/10.1353/tj.2020.0066
  5. restricted access

Performance Reviews

  1. Endlings by Celine Song (review)
  2. Vivian L. Huang
  3. pp. 345-347
  4. DOI: https://doi.org/10.1353/tj.2020.0067
  5. restricted access
  1. White Pearl by Anchuli Felicia King (review)
  2. Jenna Gerdsen
  3. pp. 347-348
  4. DOI: https://doi.org/10.1353/tj.2020.0068
  5. restricted access
  1. A Bright Room Called Day by Tony Kushner (review)
  2. Jean Elizabeth Howard
  3. pp. 348-350
  4. DOI: https://doi.org/10.1353/tj.2020.0069
  5. restricted access
  1. Ms. Blakk for President by Tina Landau and Tarell Alvin McCraney (review)
  2. David Román
  3. pp. 350-354
  4. DOI: https://doi.org/10.1353/tj.2020.0070
  5. restricted access
  1. La Jolla Playhouse Without Walls Festival by La Jolla Playhouse (review)
  2. Alison Urban
  3. pp. 354-359
  4. DOI: https://doi.org/10.1353/tj.2020.0071
  5. restricted access
  1. Their Dogs Came with Them by Virginia Grise (review)
  2. Jimmy A. Noriega
  3. pp. 359-361
  4. DOI: https://doi.org/10.1353/tj.2020.0072
  5. restricted access
  1. West Side Story by Arthur Laurents (review)
  2. E. Teresa Choate
  3. pp. 361-363
  4. DOI: https://doi.org/10.1353/tj.2020.0073
  5. restricted access
  1. Miami Motel Stories: North Beach by Juan C. Sanchez (review)
  2. Horacio Sierra
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/tj.2020.0074
  5. restricted access
  1. The Plot by Will Eno (review)
  2. Miriam Chirico
  3. pp. 366-367
  4. DOI: https://doi.org/10.1353/tj.2020.0075
  5. restricted access
  1. Fairview by Jackie Sibblies Drury (review)
  2. Faedra Chatard Carpenter
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/tj.2020.0076
  5. restricted access
  1. Next to Normal by Brian Yorkey (review)
  2. Stephanie Lim
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/tj.2020.0077
  5. restricted access
  1. Dr. Ride’s American Beach House by Liza Berkenmeier (review)
  2. Sean F. Edgecomb
  3. pp. 371-373
  4. DOI: https://doi.org/10.1353/tj.2020.0078
  5. restricted access
  1. The Ocean at the End of the Lane by Joel Horwood (review)
  2. Eleanor Owicki
  3. pp. 373-376
  4. DOI: https://doi.org/10.1353/tj.2020.0079
  5. restricted access
  1. Translations by Brian Friel, and: ‘Master Harold’ . . . and the Boys by Athol Fugard (review)
  2. Dan Venning
  3. pp. 376-380
  4. DOI: https://doi.org/10.1353/tj.2020.0080
  5. restricted access

Book Reviews

  1. Tragedy, the Greeks, and Us by Simon Critchley, and: Poetics of History: Rousseau and the Theater of Originary Mimesis by Philippe Lacoue-Labarthe (review)
  2. David Krasner
  3. pp. 381-383
  4. DOI: https://doi.org/10.1353/tj.2020.0081
  5. restricted access
  1. Shakespearean Character: Language in Performance by Jelena Marelj (review)
  2. Amy Cook
  3. pp. 383-384
  4. DOI: https://doi.org/10.1353/tj.2020.0082
  5. restricted access
  1. Early Modern Theatre and the Figure of Disability by Genevieve Love (review)
  2. Jarred Wiehe
  3. pp. 385-386
  4. DOI: https://doi.org/10.1353/tj.2020.0083
  5. restricted access
  1. A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present ed. by Aparna Bhargava Dharwadker (review)
  2. Taarini Mookherjee
  3. pp. 386-387
  4. DOI: https://doi.org/10.1353/tj.2020.0084
  5. restricted access
  1. Chinatown Opera Theater in North America by Nancy Yunhwa Rao (review)
  2. Ashley Thorpe
  3. pp. 387-389
  4. DOI: https://doi.org/10.1353/tj.2020.0085
  5. restricted access
  1. The Comic Event: Comedic Performance from the 1950s to the Present by Judith Roof (review)
  2. Katelyn Hale Wood
  3. pp. 389-390
  4. DOI: https://doi.org/10.1353/tj.2020.0086
  5. restricted access
  1. The Scene of Foreplay: Theater, Labor, and Leisure in 1960s New York by Giulia Palladini (review)
  2. Shonni Enelow
  3. pp. 390-391
  4. DOI: https://doi.org/10.1353/tj.2020.0087
  5. restricted access
  1. Street Theatre and the Production of Postindustrial Space: Working Memories by David Calder (review)
  2. Sunita Nigam
  3. pp. 392-393
  4. DOI: https://doi.org/10.1353/tj.2020.0088
  5. restricted access
  1. Transnational Chinese Theatres: Intercultural Performance Networks In East Asia by Rossella Ferrari (review)
  2. Tarryn Li-Min Chun
  3. pp. 393-395
  4. DOI: https://doi.org/10.1353/tj.2020.0089
  5. restricted access
  1. Shakespeare in the Theatre: Cheek by Jowl by Peter Kirwan (review)
  2. Thomas A. Oldham
  3. pp. 395-396
  4. DOI: https://doi.org/10.1353/tj.2020.0090
  5. restricted access
  1. Robert Lepage / Ex Machina: Revolutions in Theatrical Space by James Reynolds (review)
  2. Alan Filewod
  3. pp. 396-398
  4. DOI: https://doi.org/10.1353/tj.2020.0091
  5. restricted access
  1. The Drama and Theatre of Sarah Ruhl by Amy Muse (review)
  2. Robyn Lee Horn
  3. pp. 398-399
  4. DOI: https://doi.org/10.1353/tj.2020.0092
  5. restricted access
  1. Puppets and Cities: Articulating Identities in Southeast Asia by Jennifer Goodlander (review)
  2. Lisa Morse
  3. pp. 399-401
  4. DOI: https://doi.org/10.1353/tj.2020.0093
  5. restricted access

Online-Only Supplementary Material

  1. On the Art of Alchemy and Unfolding Desires: A Conversation with María Magdalena Campos-Pons
  2. María Magdalena Campos-Pons, Sarah Lewis-Cappellari
  3. pp. E-1-E-7
  4. DOI: https://doi.org/10.1353/tj.2020.0059
  5. restricted access
  1. “We’re in for a future of provocateurs”: An Interview with David Yee on Asian Canadian Theatre
  2. Sean Metzger, David Yee
  3. pp. E-19-E-25
  4. DOI: https://doi.org/10.1353/tj.2020.0062
  5. restricted access
  1. “I Teach the Audience How to Watch My Shows”: An Interview with Kristina Wong
  2. Sean Metzger, Kristina Wong
  3. pp. E-9-E-17
  4. DOI: https://doi.org/10.1353/tj.2020.0060
  5. restricted access