In this Issue

Table of Contents

Sophie's Voice? Dark Intertexts of The BFG

Kate Marrison, Nigel Morris
pp. 119-160
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0119
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Curb Your Orgasm: Larry David and the Schlimazel as Sexual Deviant

Jarrod Tanny
pp. 161-186
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0161
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"You Know, Support the Team": Representations of Gentile Masculinity on Seinfeld and Curb Your Enthusiasm

Evan Cooper
pp. 187-213
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0187
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Embodying Conflict: Representations of Hospitals and Seas in Israeli Cinema after the Second Intifada

Slava Greenberg
pp. 214-235
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0214
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On Glickman and Huberman's Evolving Images:: Jewish Latin American Cinema

Raanan Rein
pp. 236-238
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0236
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On Frey's Jews, Nazis and the Cinema of Hungary:: The Tragedy of Success, 1929–44

Anna Martonfi
pp. 239-242
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0239
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On Lewis's Women in European Holocaust Films:: Perpetrators, Victims and Resisters

Elyce Rae Helford
pp. 243-246
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0243
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On Hammerman's Silver Screen, Hasidic Jews:: The Story of an Image

Matan Aharoni
pp. 247-251
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0247
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On Gergely's Hungarian Film 1929–1947:: National Identity, Anti-Semitism, and Popular Cinema

David Frey
pp. 252-256
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0252
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On Skinazi's Women of Valor:: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture

Donna Baker
pp. 257-260
DOI: https://doi.org/10.13110/jewifilmnewmedi.7.2.0257
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