1. 20/20 Visions
  2. Bonnie Marranca
  3. pp. 1-2
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  1. Global Voices in the Time of Coronavirus
  2. Benjamin Gillespie, Sarah Lucie, Jennifer Joan Thompson
  3. pp. 3-27
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  1. When the Night Has Come: Images of Dystopia and Catastrophe in Recent British Writing
  2. Aleks Sierz
  3. pp. 28-40
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  1. Indocile Bodies of the Nation: Argentine Performance in Times of Hate
  2. Delfina Cabrera, María Laura Gutiérrez, Daniel Fitzgerald
  3. pp. 41-49
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  1. Eulogy for Mary Overlie
  2. Will Daddario
  3. pp. 50-54
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  1. AI Comes of Age
  2. Ellen Pearlman
  3. pp. 55-62
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  1. Salt in the Wound
  2. Laura Bissell
  3. pp. 64-69
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  1. Class, Ritual, Time
  2. Sean F. Edgecomb
  3. pp. 70-75
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  1. Revisiting Suzanne Lacy’s Oakland Projects
  2. Nicholas Gamso
  3. pp. 76-81
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  1. Plaything: On the Work of Art in the Age of its Algorithmic Adaptability
  2. Ryan Anthony Hatch
  3. pp. 82-89
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  1. Sequins and Spirits
  2. Elyse Singer
  3. pp. 90-94
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  1. Performance Art in East-Central Europe: 1960s to the Post-Communist Era
  2. Amy Bryzgel
  3. pp. 95-105
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  1. Mary Said What She Said
  2. Darryl Pinckney
  3. pp. 106-124
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  1. Speak-Trash: Irony for Exterminators
  2. Geoffrey Lokke
  3. pp. 125-131
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