1. Civilisés ou barbares? Chinois et Tartares à l'époque des Lumières
  2. Yunfei Bai
  3. pp. 1-15
  4. DOI: 10.1353/frf.2020.0000
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  1. Jeux d'eau et de lumière: Proust, de Man, Sedgwick et le placard de lecture
  2. Maxime Philippe
  3. pp. 17-32
  4. DOI: 10.1353/frf.2020.0001
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  1. Tactility in Valéry's Aesthetics: Fragment and Duration
  2. Daniel Rosenberg
  3. pp. 33-51
  4. DOI: 10.1353/frf.2020.0002
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  1. Communicating Difference: Charlotte Delbo and Holocaust Testimony
  2. Charlotte F. Werbe
  3. pp. 53-65
  4. DOI: 10.1353/frf.2020.0003
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  1. Improbable Grief: Mavrikakis' Onomastic Practices of Memorialization
  2. Julie Robert
  3. pp. 67-81
  4. DOI: 10.1353/frf.2020.0004
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  1. Les Années: Album-photo d'une vocation?
  2. Yona Hanhart-Marmor
  3. pp. 83-94
  4. DOI: 10.1353/frf.2020.0005
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  1. Julia Deck's Geometries
  2. Warren Motte
  3. pp. 95-109
  4. DOI: 10.1353/frf.2020.0006
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  1. Œuvide! Œuvide! Verbalization and Corporality in the Poetry of Christian Prigent
  2. Peter Poiana
  3. pp. 111-126
  4. DOI: 10.1353/frf.2020.0007
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  1. Balzac, L'invention de la sociologie ed. by Andrea Del Lungo and Pierre Glaudes (review)
  2. Scott Sprenger
  3. pp. 127-129
  4. DOI: 10.1353/frf.2020.0008
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  1. L'École de la maladresse: de J.-J. Rousseau à J. J. Grandville by Pauline de Tholozany (review)
  2. Marina van Zuylen
  3. pp. 130-132
  4. DOI: 10.1353/frf.2020.0009
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  1. World War II in Andreï Makine's Historiographic Metafiction: "No One is Forgotten, Nothing is Forgotten" by Helena Duffy (review)
  2. Adrian Wanner
  3. pp. 132-134
  4. DOI: 10.1353/frf.2020.0010
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  1. Impostors. Literary Hoaxes and Cultural Authenticity by Christopher L. Miller (review)
  2. Lydie Moudileno
  3. pp. 135-137
  4. DOI: 10.1353/frf.2020.0011
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