In this Issue

Table of Contents

Rossinian Opera in Translation: José Bernardo Alzedo’s Church Music in Mid-Nineteenth-Century Chile

José Manuel Izquierdo König
pp. 251-275
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When the Puppets Get Together: Looking Like a Subject in The Archers’ The Tales of Hoffmann

Marissa Fenley
pp. 276-296
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“Guarda un po”: Seductive Visuality in Remediated Opera

Julia Sirmons
pp. 297-322
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Jacques Offenbach and the Making of Modern Culture by Laurence Senelick (review)

Gabriela Cruz
pp. 323-334
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Big Marionette, Little Marionette

Hayley Fenn
pp. 335-349
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Meredith Monk’s ATLAS in Los Angeles

Paul V. Miller
pp. 350-357
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Eight, aus Licht, and The Unbearable Lightness of Being Immersed in Opera

Jelena Novak
pp. 358-371
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