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Table of Contents

  1. The Long Nightwatch: Augustine, Hamlet, and the Aesthetic
  2. Rachel Eisendrath
  3. pp. 581-606
  4. DOI: https://doi.org/10.1353/elh.2020.0021
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  1. Shakespeare's Ill Will and the Style of Consensus
  2. Victor Lenthe
  3. pp. 607-636
  4. DOI: https://doi.org/10.1353/elh.2020.0022
  5. restricted access
  1. The Devil and a Disease: Early Representations of Quaker Women in the Atlantic World
  2. Ean High
  3. pp. 637-677
  4. DOI: https://doi.org/10.1353/elh.2020.0023
  5. restricted access
  1. Lord Byron's Trademark
  2. Gary Dyer
  3. pp. 679-705
  4. DOI: https://doi.org/10.1353/elh.2020.0024
  5. restricted access
  1. Strategic Pessimism: Gissing, Wells, and the British Socialist Novel
  2. Kailana Durnan
  3. pp. 707-732
  4. DOI: https://doi.org/10.1353/elh.2020.0025
  5. restricted access
  1. Devulgarizing Dickens: Andrew Lang, Homer and the Rise of Psycho-Folklore
  2. Caroline Sumpter
  3. pp. 733-759
  4. DOI: https://doi.org/10.1353/elh.2020.0026
  5. restricted access
  1. Frederick Douglass's Revolutionary Publicness
  2. Ryan Carr
  3. pp. 761-789
  4. DOI: https://doi.org/10.1353/elh.2020.0027
  5. restricted access
  1. Buttons and Holes: Stein and Picasso at the Bon Marché
  2. Mia You
  3. pp. 791-828
  4. DOI: https://doi.org/10.1353/elh.2020.0028
  5. restricted access
  1. Sounding the Present: Crisis and Collective Voice in David Peace's GB84
  2. Benjamin Kohlmann
  3. pp. 829-854
  4. DOI: https://doi.org/10.1353/elh.2020.0029
  5. restricted access
  1. A General Model of Realist Fictional Narrative
  2. William B. Warner
  3. pp. 855-880
  4. DOI: https://doi.org/10.1353/elh.2020.0030
  5. restricted access