Provocation

  1. Gentle
  2. Young Joon Kwak, Christopher Richmond
  3. p. 2
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TDR Comment

  1. Père Gynt: Mendacity for the 21st Century
  2. Branislav Jakovljević
  3. pp. 8-13
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Curative Performance

  1. Curative Performance: Introduction
  2. Atay Citron
  3. pp. 14-15
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  1. Healing through Gender Inversion in Korean Possession Trance Rituals
  2. Liora Sarfati
  3. pp. 16-32
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  1. The Return of the Dybbuk: Between Ritual Healing and Stage Performance
  2. Yoram Bilu
  3. pp. 33-51
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  1. Humanizing Healthcare through Humor: Or How Medical Clowning Came to Be
  2. Michael Christensen
  3. pp. 52-66
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  1. Observing the World as Dancers Do: Teaching Dance to Medical Students
  2. Catherine Rogers, David Leventhal, Leah Apple, Katrina Kostro, Andrew Sudler, Rita Charon
  3. pp. 67-78
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Articles

  1. Framing Black Labor: On Archives and Mine Dancing in South African Gold Mines, 1950–1970
  2. Doria E. Charlson
  3. pp. 79-99
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  1. The Future Perfect, Autopsy, and Enfreakment on the 19th-Century Stage
  2. Danielle Bainbridge
  3. pp. 100-117
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  1. Training Corporate Bodies
  2. Sarah Saddler
  3. pp. 118-131
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Student Essay Contest Winner

  1. Conjuring Abolition Phonography in A Record Album Interpretation
  2. Derek Baron
  3. pp. 132-149
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Critical Acts

  1. Sensory Excess: The London Premiere of Confessions
  2. Neil Luck
  3. pp. 150-155
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  1. Hysterical Amateurs: Wild Seeds Burning on the Grass Stage
  2. Ruijiao Dong
  3. pp. 156-161
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  1. Being Exhausted, Acting Happy: Dragana Bulut's Happyology—Tears of Joy
  2. Cecilie Ullerup Schmidt
  3. pp. 162-167
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Books

  1. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval by Saidiya Hartman (review)
  2. Camille S. Owens
  3. pp. 168-169
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  1. Valuing Dance: Commodities and Gifts in Motion by Susan Leigh Foster (review)
  2. Megan V. Nicely
  3. pp. 170-172
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  1. Performing Image by Isobel Harbison (review)
  2. L. Archer Porter
  3. pp. 172-174
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  1. Performance Constellations: Networks of Protest and Activism in Latin America by Marcela A. Fuentes (review)
  2. Marlon Jiménez Oviedo
  3. pp. 174-176
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  1. Queering Black Atlantic Religions: Transcorporeality in Candomblé, Santería, and Vodou by Roberto Strongman (review)
  2. Pablo Assumpção B. Costa
  3. pp. 176-179
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  1. Worldmaking: Race, Performance, and the Work of Creativity by Dorinne Kondo (review)
  2. Jasmine Mahmoud
  3. pp. 179-181
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  1. In Person: Reenactment in Postwar and Contemporary Cinema by Ivone Margulies (review)
  2. Katie Kirkland
  3. pp. 181-183
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  1. More Books
  2. Allison Peacock
  3. pp. 188-190
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TDR Continued...

Go to https://doi.org/10.1162/dram_e_00960 for:

  1. Forum: After COVID-19, What?
  2. TDR Editors
  3. pp. 191-224
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  1. Fawzia Afzal-Khan, 15 May 2020
  2. pp. 191-193
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  1. Anna Deavere Smith, 19 May 2020
  2. p. 193
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  1. Amelia Jones, 21 May 2020
  2. pp. 193-195
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  1. Branislav Jakovljević, 26 June 2020
  2. pp. 195-196
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  1. Tadashi Uchino, 29 June 2020
  2. pp. 196-198
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  1. Tracy C. Davis, 30 June 2020
  2. pp. 198-201
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  1. Barbara Kirshenblatt-Gimblett, 30 June 2020
  2. pp. 201-204
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  1. Joseph Roach, 30 June 2020
  2. pp. 204-205
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  1. Guillermo Gómez-Peña, 1 July 2020: selected from his blog
  2. pp. 205-208
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  1. Erin B. Mee, 1 July 2020
  2. pp. 208-212
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  1. Carol Martin, 10 July 2020
  2. pp. 212-220
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  1. Sharon Aronson-Lehavi, 2 July 2020
  2. pp. 220-222
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  1. Elise Morrison, 3 July 2020
  2. p. 222
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  1. Richard Schechner, 12 July 2020
  2. pp. 222-224
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