In this Issue

Table of Contents

Gentle

Young Joon Kwak, Christopher Richmond
p. 2
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Père Gynt: Mendacity for the 21st Century

Branislav Jakovljević
pp. 8-13
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Curative Performance: Introduction

Atay Citron
pp. 14-15
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Healing through Gender Inversion in Korean Possession Trance Rituals

Liora Sarfati
pp. 16-32
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The Return of the Dybbuk: Between Ritual Healing and Stage Performance

Yoram Bilu
pp. 33-51
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Humanizing Healthcare through Humor: Or How Medical Clowning Came to Be

Michael Christensen
pp. 52-66
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Observing the World as Dancers Do: Teaching Dance to Medical Students

Catherine Rogers, David Leventhal, Leah Apple, Katrina Kostro, Andrew Sudler, Rita Charon
pp. 67-78
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Framing Black Labor: On Archives and Mine Dancing in South African Gold Mines, 1950–1970

Doria E. Charlson
pp. 79-99
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The Future Perfect, Autopsy, and Enfreakment on the 19th-Century Stage

Danielle Bainbridge
pp. 100-117
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Training Corporate Bodies

Sarah Saddler
pp. 118-131
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Conjuring Abolition Phonography in A Record Album Interpretation

Derek Baron
pp. 132-149
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Sensory Excess: The London Premiere of Confessions

Neil Luck
pp. 150-155
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Hysterical Amateurs: Wild Seeds Burning on the Grass Stage

Ruijiao Dong
pp. 156-161
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Being Exhausted, Acting Happy: Dragana Bulut's Happyology—Tears of Joy

Cecilie Ullerup Schmidt
pp. 162-167
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Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval by Saidiya Hartman (review)

Camille S. Owens
pp. 168-169
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Valuing Dance: Commodities and Gifts in Motion by Susan Leigh Foster (review)

Megan V. Nicely
pp. 170-172
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Performing Image by Isobel Harbison (review)

L. Archer Porter
pp. 172-174
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Performance Constellations: Networks of Protest and Activism in Latin America by Marcela A. Fuentes (review)

Marlon Jiménez Oviedo
pp. 174-176
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Queering Black Atlantic Religions: Transcorporeality in Candomblé, Santería, and Vodou by Roberto Strongman (review)

Pablo Assumpção B. Costa
pp. 176-179
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Worldmaking: Race, Performance, and the Work of Creativity by Dorinne Kondo (review)

Jasmine Mahmoud
pp. 179-181
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In Person: Reenactment in Postwar and Contemporary Cinema by Ivone Margulies (review)

Katie Kirkland
pp. 181-183
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Going Stealth: Transgender Politics and U.S. Surveillance Practices by Toby Beauchamp, and: Performance, Transparency, and the Cultures of Surveillance by James M. Harding, and: Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror by Saher Selod (review)

Elise Morrison
pp. 184-187
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More Books

Allison Peacock
pp. 188-190
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Fawzia Afzal-Khan, 15 May 2020

Fawzia Afzal-Khan
pp. 191-193
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Forum: After COVID-19, What?

TDR Editors, Fawzia Afzal-Khan, Anna Deavere Smith, Amelia Jones, Branislav Jakovljević, Tadashi Uchino, Tracy C. Davis, Barbara Kirshenblatt-Gimblett, Joseph Roach, Guillermo Gómez-Peña, Erin B. Mee, Carol Martin, Sharon Aronson-Lehavi, Elise Morrison, Richard Schechner
pp. 191-224
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Anna Deavere Smith, 19 May 2020

Anna Deavere Smith
p. 193
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Amelia Jones, 21 May 2020

Amelia Jones
pp. 193-195
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Branislav Jakovljević, 26 June 2020

Branislav Jakovljević
pp. 195-196
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Tadashi Uchino, 29 June 2020

Tadashi Uchino
pp. 196-198
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Tracy C. Davis, 30 June 2020

Tracy C. Davis
pp. 198-201
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Barbara Kirshenblatt-Gimblett, 30 June 2020

Barbara Kirshenblatt-Gimblett
pp. 201-204
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Joseph Roach, 30 June 2020

Joseph Roach
pp. 204-205
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Guillermo Gómez-Peña, 1 July 2020: selected from his blog

Guillermo Gómez-Peña
pp. 205-208
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Erin B. Mee, 1 July 2020

Erin B. Mee
pp. 208-212
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Carol Martin, 10 July 2020

Carol Martin
pp. 212-220
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Sharon Aronson-Lehavi, 2 July 2020

Sharon Aronson-Lehavi
pp. 220-222
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Elise Morrison, 3 July 2020

Elise Morrison
p. 222
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Richard Schechner, 12 July 2020

Richard Schechner
pp. 222-224
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