1. Huck (Hound) and Jim (Crow): Syndicated Television Cartoons and Southern Segregation
  2. Christopher P. Lehman
  3. pp. 4-14
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  1. Bette Davis and the Cold War Career Women in Storm Center (1956)
  2. Scott Balcerzak
  3. pp. 15-28
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  1. Patriotism as Institutional Racism: The Purge and the Fugitive Slave Act
  2. Craig A. Warren
  3. pp. 29-40
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  1. The Evolution of Nuclear Fear in Post-Occupation Japanese Film
  2. Kelly Burton
  3. pp. 41-53
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  1. The Face of Germany, 1918–1945: Ufa Personnel, Censorship, and Propaganda
  2. Heather Oriana Petrocelli
  3. pp. 54-66
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  1. Emile Durkheim Rides Again: The Death of the Western Hero and the Rise of the Moral Individualist
  2. Scott Pearce
  3. pp. 67-80
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  1. Bad Film Histories: Ethnography and the Early Archive by Katherine Groo (review)
  2. María Antonia Vélez-Serna
  3. pp. 81-83
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  1. Runaway Hollywood: Internationalizing Postwar Production and Location Shooting by Daniel Steinhart (review)
  2. Kallan Benjamin
  3. pp. 84-85
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  1. The Shining by K.J. Donnelly (review)
  2. Michael D. Gibson
  3. pp. 86-87
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  1. The Lost World of DeMille by John Kobal (review)
  2. Kevin Brianton
  3. pp. 88-89
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  1. Jolted Images (Unbound Analytic) by Pavle Levi (review)
  2. Alex Brannan
  3. pp. 90-91
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  1. Free and Easy? A Defining History of the American Film Musical Genre by Sean Griffin (review)
  2. Douglas Long
  3. pp. 92-93
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  1. The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films by Ron Briley (review)
  2. Bernard F. Dick
  3. pp. 94-95
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  1. Futurist Cinema: Studies on Italian Avant-garde Film ed. by Rossella Catanese (review)
  2. Nenad Jovanovic
  3. pp. 96-98
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  1. Animation ed. by Scott Curtis (review)
  2. Rebecca Weeks
  3. pp. 99-100
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  1. Making Sex Public, and Other Cinematic Fantasies by Damon R. Young (review)
  2. Sam Hunter
  3. pp. 101-102
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