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Table of Contents

  1. From the Editor
  2. Brenda Machosky
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/apo.2019.0040
  5. restricted access
  1. Cover Art: A Sydney Phone Booth at Night 1997
  2. Quentin Jones
  3. p. 7
  4. DOI: https://doi.org/10.1353/apo.2019.0039
  5. restricted access
  1. The Embrace of Ambiguity in Joan Lindsay's Picnic at Hanging Rock and Henry James's The Turn of the Screw
  2. Suzie Gibson
  3. pp. 8-20
  4. DOI: https://doi.org/10.1353/apo.2019.0000
  5. restricted access
  1. Moving On
  2. Tru S. Dowling
  3. p. 21
  4. DOI: https://doi.org/10.1353/apo.2019.0001
  5. restricted access
  1. Prose That Makes Us "Laugh, Cry, Squirm and Gasp and Wonder": Imagery, Memory, and Emotion in Helen Garner's Memoirs
  2. Merril Howie
  3. pp. 22-39
  4. DOI: https://doi.org/10.1353/apo.2019.0002
  5. restricted access
  1. Portrait of Departure
  2. Paul Mitchell
  3. p. 40
  4. DOI: https://doi.org/10.1353/apo.2019.0003
  5. restricted access
  1. Applying Rasa Theory in David Williamson's The Removalists
  2. Arnab Chatterjee
  3. pp. 41-47
  4. DOI: https://doi.org/10.1353/apo.2019.0004
  5. restricted access
  1. Snow, Cockatoo
  2. Alastair Clarke
  3. p. 48
  4. DOI: https://doi.org/10.1353/apo.2019.0005
  5. restricted access
  1. A Fleeting Infatuation with All Things Australian: American Editions of Australian Novels, 1979–1989
  2. Roger Osborne
  3. pp. 49-59
  4. DOI: https://doi.org/10.1353/apo.2019.0006
  5. restricted access
  1. Revelation in Troyes
  2. Ron Wilkins
  3. p. 60
  4. DOI: https://doi.org/10.1353/apo.2019.0007
  5. restricted access
  1. Too much, and still quite cold
  2. Anna Jackson
  3. p. 61
  4. DOI: https://doi.org/10.1353/apo.2019.0008
  5. restricted access
  1. Introduction: Alexis Wright's Significant, Growing Oeuvre
  2. Belinda Wheeler
  3. pp. 62-64
  4. DOI: https://doi.org/10.1353/apo.2019.0009
  5. restricted access
  1. Simply 21
  2. Jane Williams
  3. pp. 65-66
  4. DOI: https://doi.org/10.1353/apo.2019.0010
  5. restricted access
  1. Traces of Territory: Alexis Wright's Grog War (1997)
  2. Geoff Rodoreda
  3. pp. 67-78
  4. DOI: https://doi.org/10.1353/apo.2019.0011
  5. restricted access
  1. "In My Mind I See Cross-Roads for Everything I Believe In": The Way Home in Alexis Wright's Croire en l'incroyable (Believe in the Unbelievable) and Le Pacte du serpent arc-en-ciel
  2. Estelle Castro-Koshy, Philippe Guerre
  3. pp. 79-91
  4. DOI: https://doi.org/10.1353/apo.2019.0012
  5. restricted access
  1. Framing the Unutterable: Reading Trauma in Alexis Wright's Short Fiction
  2. Demelza Hall
  3. pp. 92-106
  4. DOI: https://doi.org/10.1353/apo.2019.0013
  5. restricted access
  1. Alexis Wright's Publishing History in Three Contexts: Australian Aboriginal, National, and International
  2. Per Henningsgaard
  3. pp. 107-124
  4. DOI: https://doi.org/10.1353/apo.2019.0014
  5. restricted access
  1. Struck
  2. Les Wicks
  3. p. 125
  4. DOI: https://doi.org/10.1353/apo.2019.0015
  5. restricted access
  1. This Is a Difficult Piece to Write
  2. Soren Tae Smith
  3. pp. 126-130
  4. DOI: https://doi.org/10.1353/apo.2019.0016
  5. restricted access
  1. Beach Ballet
  2. Nathanael O'Reilly
  3. p. 131
  4. DOI: https://doi.org/10.1353/apo.2019.0017
  5. restricted access
  1. We Will Warm Ourselves
  2. Ben Walter
  3. pp. 132-137
  4. DOI: https://doi.org/10.1353/apo.2019.0018
  5. restricted access
  1. Nullarbor
  2. Catherine Wright
  3. p. 138
  4. DOI: https://doi.org/10.1353/apo.2019.0019
  5. restricted access
  1. This Is It
  2. Heather Taylor-Johnson
  3. pp. 139-146
  4. DOI: https://doi.org/10.1353/apo.2019.0020
  5. restricted access
  1. Weeding: a love poem
  2. Brendan Ryan
  3. p. 147
  4. DOI: https://doi.org/10.1353/apo.2019.0021
  5. restricted access
  1. Iris
  2. Jane Frank
  3. p. 148
  4. DOI: https://doi.org/10.1353/apo.2019.0022
  5. restricted access
  1. Suspension . . .: . . . the state in which the particles of a substance are mixed with a fluid but are undissolved; the state of being suspended
  2. Sue Joseph
  3. pp. 149-163
  4. DOI: https://doi.org/10.1353/apo.2019.0023
  5. restricted access
  1. 23 Tiny Stories
  2. Ouyang yu
  3. p. 164
  4. DOI: https://doi.org/10.1353/apo.2019.0024
  5. restricted access
  1. Postponement
  2. Dimitris Tsaloumas, Matina Doumou
  3. p. 165
  4. DOI: https://doi.org/10.1353/apo.2019.0025
  5. restricted access
  1. Terra Nullius by Claire G. Coleman (review)
  2. Victoria Avery
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/apo.2019.0027
  5. restricted access
  1. The Life to Come by Michelle de Kretser (review)
  2. Richard Carr
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/apo.2019.0031
  5. restricted access
  1. Stories: The Collected Short Fiction by Helen Garner (review)
  2. Jody Marie Hassel
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/apo.2019.0029
  5. restricted access
  1. The Worry Front by H. C. Gildfind (review)
  2. David C. Muller
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/apo.2019.0030
  5. restricted access
  1. A Sea-Chase by Roger McDonald (review)
  2. Jason Namey
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/apo.2019.0032
  5. restricted access
  1. The Passage of Love by Alex Miller (review)
  2. Jennifer Popa
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/apo.2019.0034
  5. restricted access
  1. Road to Tamarlin by K. M. Steele (review)
  2. Summer Dorr
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/apo.2019.0036
  5. restricted access
  1. Little Demon by Michael Wilding (review)
  2. Matilda Grogan
  3. pp. 178-179
  4. DOI: https://doi.org/10.1353/apo.2019.0037
  5. restricted access
  1. Extinctions by Josephine Wilson (review)
  2. Sarah Small
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/apo.2019.0038
  5. restricted access
  1. Orpheus in the Undershirt by Kevin Densley (review)
  2. James Roderick Burns
  3. pp. 181-183
  4. DOI: https://doi.org/10.1353/apo.2019.0028
  5. restricted access
  1. Renga: 100 Poems by John Kinsella and Paul Kane (review)
  2. Kendalyn Mckisick
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/apo.2019.0033
  5. restricted access
  1. Gone: Satirical Poems: New & Selected by Stephen Oliver (review)
  2. Stephen Conlon
  3. pp. 184-187
  4. DOI: https://doi.org/10.1353/apo.2019.0035
  5. restricted access
  1. Contributors
  3. pp. 188-192
  4. DOI: https://doi.org/10.1353/apo.2019.0026
  5. restricted access