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Table of Contents

  1. Are Sounds Sound? For an Enthusiastic Study of Sound Studies
  2. Eric Méchoulan, David F. Bell
  3. pp. 3-29
  4. DOI: https://doi.org/10.1353/sub.2020.0007
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  1. Machinations of the Senses
  2. Daniel Deshays, David F. Bell
  3. pp. 30-43
  4. DOI: https://doi.org/10.1353/sub.2020.0008
  5. restricted access
  1. The Sound of the Sublime: Notes on Burke as Time Goes By
  2. Esteban Buch
  3. pp. 44-59
  4. DOI: https://doi.org/10.1353/sub.2020.0009
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  1. Soundscape and Power
  2. Serge Cardinal, Oana Avasilichioaei
  3. pp. 60-70
  4. DOI: https://doi.org/10.1353/sub.2020.0010
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  1. Adrift: Havarie, an Acousmatic Film by Philip Scheffner
  2. Johanne Villeneuve, Debbie Blythe
  3. pp. 71-92
  4. DOI: https://doi.org/10.1353/sub.2020.0011
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  1. Why Are We All Too Familiar With Headphones Attached to a Wall? (Or, a Brief History of Sound-Art Curating)
  2. Liora Belford
  3. pp. 93-107
  4. DOI: https://doi.org/10.1353/sub.2020.0012
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  1. Siren Enchantments, or, Reading Sound in Medieval Books
  2. Sarah Kay
  3. pp. 108-132
  4. DOI: https://doi.org/10.1353/sub.2020.0013
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  1. The Color of Noise
  2. John Mowitt
  3. pp. 133-149
  4. DOI: https://doi.org/10.1353/sub.2020.0014
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  1. Contributors
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/sub.2020.0015
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