In this Issue

Table of Contents

Are Sounds Sound? For an Enthusiastic Study of Sound Studies

Eric Méchoulan, David F. Bell
pp. 3-29
DOI: https://doi.org/10.1353/sub.2020.0007
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Machinations of the Senses

Daniel Deshays, David F. Bell
pp. 30-43
DOI: https://doi.org/10.1353/sub.2020.0008
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The Sound of the Sublime: Notes on Burke as Time Goes By

Esteban Buch
pp. 44-59
DOI: https://doi.org/10.1353/sub.2020.0009
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Soundscape and Power

Serge Cardinal, Oana Avasilichioaei
pp. 60-70
DOI: https://doi.org/10.1353/sub.2020.0010
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Adrift: Havarie, an Acousmatic Film by Philip Scheffner

Johanne Villeneuve, Debbie Blythe
pp. 71-92
DOI: https://doi.org/10.1353/sub.2020.0011
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Why Are We All Too Familiar With Headphones Attached to a Wall? (Or, a Brief History of Sound-Art Curating)

Liora Belford
pp. 93-107
DOI: https://doi.org/10.1353/sub.2020.0012
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Siren Enchantments, or, Reading Sound in Medieval Books

Sarah Kay
pp. 108-132
DOI: https://doi.org/10.1353/sub.2020.0013
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The Color of Noise

John Mowitt
pp. 133-149
DOI: https://doi.org/10.1353/sub.2020.0014
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Contributors

pp. 150-152
DOI: https://doi.org/10.1353/sub.2020.0015
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