1. Editorial
  2. Jay Beck, Ben Winters
  3. pp. 1-2
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  1. Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing: Meaning and Method in The Lure
  2. Thomas Brami
  3. pp. 3-21
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  1. ‘Romantic Piano’ and ‘Sleazy Saxophone’: Categories and Stereotypes in Library Music Catalogues
  2. Júlia Durand
  3. pp. 23-45
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  1. Sound in Horror Film Trailers
  2. Nick Redfern
  3. pp. 47-71
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  1. Theories of the Soundtrack by James Buhler (review)
  2. Alexis Bennett
  3. pp. 75-78
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  1. Music in Comedy Television: Notes on Laughs ed. by Liz Giuffre and Philip Hayward (review)
  2. Max Dosser
  3. pp. 79-82
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  1. Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond ed. by Danielle Birkett and Dominic McHugh (review)
  2. Thomas S. Hischak
  3. pp. 83-85
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  1. Movies, Songs, and Electric Sound: Transatlantic Trends by Charles O’Brien (review)
  2. Marco Ladd
  3. pp. 86-90
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  1. Contributors to Issue 14:1
  2. pp. 91-92
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