1. “Listen: 2018”
  2. Melissa Dunphy
  3. pp. 1-6
  4. DOI: 10.1353/wam.2020.0009
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  1. Composing a Symphonist: Florence Price and the Hand of Black Women’s Fellowship
  2. Samantha Ege
  3. pp. 7-27
  4. DOI: 10.1353/wam.2020.0010
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  1. Almost Completely Lucid
  2. Kristina Warren
  3. pp. 28-37
  4. DOI: 10.1353/wam.2020.0011
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  1. “Maple Leaf Rag” in Maple Leaf Country: Impressing Jazz upon Vera Guilaroff
  2. Vanessa Blais-Tremblay
  3. pp. 38-62
  4. DOI: 10.1353/wam.2020.0012
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  1. To my daughter
  2. Jinhee Han
  3. pp. 63-70
  4. DOI: 10.1353/wam.2020.0013
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  1. Guerreira Tactics: Women Warriors’ Sonic Practices of Refusal in Capoeira Angola
  2. Esther Viola Kurtz
  3. pp. 71-95
  4. DOI: 10.1353/wam.2020.0014
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  1. Listen: For Three Sopranos and Three Altos
  2. Eliorah Goodman
  3. pp. 96-106
  4. DOI: 10.1353/wam.2020.0015
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  1. Where Lineage Fails: Reorienting Diasporic Memory in Israel
  2. Tamar Sella
  3. pp. 107-125
  4. DOI: 10.1353/wam.2020.0000
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  1. Amy Beach: “St Paul’s Benediction” (1891)Amy Beach (1867–1944)
  2. Olivia Sparkhall
  3. pp. 126-129
  4. DOI: 10.1353/wam.2020.0001
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  1. Feeling the Feminine, Forming the Masculine: Amateur Male Musicians and the Flute Sonatas of Anna Bon di Venezia (1738–?)
  2. Kimary Fick
  3. pp. 130-153
  4. DOI: 10.1353/wam.2020.0002
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  1. Elfrida Andrée: Andante cantabile from Fyra pianostycken (1881)
  2. Jonathan Spatola-Knoll
  3. pp. 154-161
  4. DOI: 10.1353/wam.2020.0003
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  1. Queer Intimacy: Vocality in Jesus Christ Superstar
  2. Larissa A. Irizarry
  3. pp. 162-177
  4. DOI: 10.1353/wam.2020.0004
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  1. “Reading,” from Bedroom Performances
  2. Jue Wang
  3. pp. 178-186
  4. DOI: 10.1353/wam.2020.0005
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  1. Women and Music in Sixteenth-Century Ferrara by Laurie Stras (review)
  2. Holly Roberts
  3. pp. 187-191
  4. DOI: 10.1353/wam.2020.0006
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  1. Black Opera: History, Power, Engagement by Naomi André (review)
  2. Gwynne Kuhner Brown
  3. pp. 191-195
  4. DOI: 10.1353/wam.2020.0007
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  1. The Race of Sound: Listening, Timbre & Vocality in African American Music by Nina Sun Eidsheim (review)
  2. Alex C. Valin
  3. pp. 196-200
  4. DOI: 10.1353/wam.2020.0008
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