1. Editorial Statement
  2. p. v
  3. DOI: 10.1353/cul.2020.0020
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  1. War, Simulation, and the Sacrificial Sublime
  2. Vaheed Ramazani
  3. pp. 1-39
  4. DOI: 10.1353/cul.2020.0026
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  1. The Postman and the Tramp: Cynicism, Commitment, and the Aesthetics of Subaltern Futurity
  2. Toral Jatin Gajarawala
  3. pp. 40-68
  4. DOI: 10.1353/cul.2020.0021
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  1. The Dream of the Royal Road: Psychoanalysis and the Post
  2. Ross Truscott
  3. pp. 69-93
  4. DOI: 10.1353/cul.2020.0029
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  1. Queer Latent Images, Post-Loyalism, and the Cold War: The Case of an Early Sinophone Star, Bai Yun
  2. Wai-Siam Hee
  3. pp. 94-124
  4. DOI: 10.1353/cul.2020.0022
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  1. Gothic-Punk Utopia in Laura Oldfield Ford's Savage Messiah
  2. Samantha Morse
  3. pp. 125-149
  4. DOI: 10.1353/cul.2020.0025
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  1. Postcritique and the Form of the Question: Whose Critique Has Run Out of Steam?
  2. Nathan Lee
  3. pp. 150-176
  4. DOI: 10.1353/cul.2020.0024
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  1. Endgames: The Cult of Death in America and Russia
  2. Martin Jay
  3. pp. 179-187
  4. DOI: 10.1353/cul.2020.0023
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  1. "We Have Nothing to Lose but Our Bodies": Politics of Self-Destruction in the BioSovereign Assemblage
  2. Asli Calkivik
  3. pp. 188-194
  4. DOI: 10.1353/cul.2020.0030
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  1. Being in the Wake
  2. Paul Youngquist
  3. pp. 195-199
  4. DOI: 10.1353/cul.2020.0028
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  1. Short Circuit
  2. Bishnupriya Ghosh
  3. pp. 200-208
  4. DOI: 10.1353/cul.2020.0027
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  1. Books Received
  2. pp. 209-210
  3. DOI: 10.1353/cul.2020.0031
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