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In this Issue

Table of Contents

  1. Introduction: Special Issue on Eliza Haywood
  2. Manushag N. Powell
  3. pp. 3-8
  4. DOI: https://doi.org/10.1353/rst.2020.0003
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  1. Pernicious Science: Artifice and the Form of Narrative in Eliza Haywood's Secret Histories
  2. Helen Thompson
  3. pp. 9-38
  4. DOI: https://doi.org/10.1353/rst.2020.0006
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  1. Caustic Burns and Moving Hearts: Satire and Affect in Eliza Haywood's The Masqueraders
  2. Fauve Vandenberghe
  3. pp. 39-66
  4. DOI: https://doi.org/10.1353/rst.2020.0007
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  1. Eliza Haywood's Captive Message
  2. Catherine E. Ingrassia
  3. pp. 67-86
  4. DOI: https://doi.org/10.1353/rst.2020.0000
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  1. From "Pretty Emulation" to "Fresh Discoveries": Entomological Observation & Female Empiricism in Eliza Haywood's The Female Spectator
  2. Anna K. Sagal
  3. pp. 87-104
  4. DOI: https://doi.org/10.1353/rst.2020.0005
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  1. Amorous Constitutions: Bodies and the Affect of Amatory Seduction in Eliza Haywood's Lasselia
  2. Aleksondra Hultquist
  3. pp. 105-123
  4. DOI: https://doi.org/10.1353/rst.2020.0010
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  1. Haywood's Old-Age Rewritings of Love in Excess
  2. Kathryn R. King
  3. pp. 125-139
  4. DOI: https://doi.org/10.1353/rst.2020.0001
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  1. Deep Recovery: Advances in Feminist Methodologies
  2. Paula R. Backscheider
  3. pp. 141-145
  4. DOI: https://doi.org/10.1353/rst.2020.0004
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  1. Women's Bookscapes in Early Modern Britain: Reading, Ownership, Circulation ed. by Leah Knight, Micheline White, and Elizabeth Sauer (review)
  2. Melanie Bigold
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/rst.2020.0002
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  1. Travel and Travail: Early Modern Women, English Drama, and the Wider World ed. by Patricia Akhimie and Bernadette Andrea (review)
  2. Elizabeth A. Bohls
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/rst.2020.0008
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  1. Some Current Publications
  2. Allison Y. Gibeily
  3. pp. 153-164
  4. DOI: https://doi.org/10.1353/rst.2020.0009
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