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Table of Contents

  1. The Process: Ann Hamilton in the Twenty-Teens
  2. Ann Hamilton, Brian McHale
  3. pp. 209-239
  4. DOI: https://doi.org/10.1353/asa.2020.0016
  5. restricted access
  1. Afro-Pessimist Aesthetics: An Open Question
  2. Huey Copeland, Sampada Aranke, Huey Copeland
  3. pp. 241-245
  4. DOI: https://doi.org/10.1353/asa.2020.0014
  5. restricted access
  1. Voiding from Nowhere: Abject Materiality in David Hammons's Pissed off
  2. Sampada Aranke
  3. pp. 245-248
  4. DOI: https://doi.org/10.1353/asa.2020.0017
  5. restricted access
  1. Bolekaja Aesthetics
  2. Athi Mongezeleli Joja
  3. pp. 248-256
  4. DOI: https://doi.org/10.1353/asa.2020.0019
  5. restricted access
  1. Haunting Gathering: Black Dance and Afro-Pessimism
  2. Mlondolozi Zondi
  3. pp. 256-266
  4. DOI: https://doi.org/10.1353/asa.2020.0021
  5. restricted access
  1. To Sit with Refusal: A Roundtable
  2. Huey Copeland, Sampada Aranke, Athi Joja, Mlondi Zondi, Frank Wilderson
  3. pp. 266-273
  4. DOI: https://doi.org/10.1353/asa.2020.0020
  5. restricted access
  1. A Splinter to the Heart: On the Possibility of Afro-Pessimist Aesthetics
  2. Adrienne Edwards
  3. pp. 273-280
  4. DOI: https://doi.org/10.1353/asa.2020.0018
  5. restricted access
  1. Manifesto Poetico: Toward New Theatrical Languages
  2. Paige Allerton, Carlos García Estévez, Johanna Skibsrud
  3. pp. 281-296
  4. DOI: https://doi.org/10.1353/asa.2020.0015
  5. restricted access
  1. Vaporwave Aesthetics: Internet Nostalgia and the Utopian Impulse
  2. Ross Cole
  3. pp. 297-326
  4. DOI: https://doi.org/10.1353/asa.2020.0008
  5. restricted access
  1. The Tone of the Monstrous Liberal Subject: Getting Out of Open City
  2. Dena Fehrenbacher
  3. pp. 327-350
  4. DOI: https://doi.org/10.1353/asa.2020.0013
  5. restricted access
  1. Assembling, Flaming, Ringing: Listening to Julius Eastman's Gay Guerrilla
  2. Ethan Philbrick
  3. pp. 351-372
  4. DOI: https://doi.org/10.1353/asa.2020.0010
  5. restricted access
  1. Playing Between Systems Theory, Affect, and Imitation in the Reality Tv Show Terrace House
  2. Jay Jin
  3. pp. 375-400
  4. DOI: https://doi.org/10.1353/asa.2020.0012
  5. restricted access
  1. "Anna, Where Are You?": Queer Form in Chantal Akerman's Les Rendez-Vous D'anna
  2. Madeline Ullrich
  3. pp. 401-422
  4. DOI: https://doi.org/10.1353/asa.2020.0009
  5. restricted access
  1. Handcrafting Whiteness: Booker T. Washington and the Subject of Contemporary Craft
  2. Marie Lo
  3. pp. 423-449
  4. DOI: https://doi.org/10.1353/asa.2020.0011
  5. restricted access