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In this Issue

Table of Contents

  1. Editors' Page
  2. Stephanie G'Schwind, Camille T. Dungy
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/col.2020.0057
  5. restricted access

Fiction

  1. Kwashiorkor
  2. Jessica Treadway
  3. pp. 6-23
  4. DOI: https://doi.org/10.1353/col.2020.0066
  5. restricted access
  1. Equals Comedy
  2. Alex Sagona
  3. pp. 50-67
  4. DOI: https://doi.org/10.1353/col.2020.0051
  5. restricted access
  1. Near Misses
  2. Carol Dines
  3. pp. 84-103
  4. DOI: https://doi.org/10.1353/col.2020.0054
  5. restricted access
  1. 31 Flavors and None That I Want
  2. Stefani Farris
  3. pp. 111-129
  4. DOI: https://doi.org/10.1353/col.2020.0074
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Nonfiction

  1. The Mills
  2. Jennifer Genest
  3. pp. 32-39
  4. DOI: https://doi.org/10.1353/col.2020.0064
  5. restricted access
  1. Susan: A Partial Dictionary
  2. Yelizaveta P. Renfro
  3. pp. 134-144
  4. DOI: https://doi.org/10.1353/col.2020.0050
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  1. On Gurning
  2. Rebecca Brill
  3. pp. 147-152
  4. DOI: https://doi.org/10.1353/col.2020.0049
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Poetry

  1. Paradise, and: Work
  2. Ann Hudson
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/col.2020.0052
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  1. I Should Be Sleeping, but I Am Watching YouTube Videos of a Swedish Woman Calling Cattle, and: Warsh
  2. Canese Jarboe
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/col.2020.0053
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  1. Body and Soul, and: Ultrasound
  2. Elizabeth J. Coleman
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/col.2020.0058
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  1. The Fifth Great Ape, and: On the First Night of the Afterlife, and: Ghosts in the Nursery
  2. Nancy Reddy
  3. pp. 28-30
  4. DOI: https://doi.org/10.1353/col.2020.0071
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  1. Happiness Is the Cruelest Flower
  2. Gaby Garcia
  3. p. 31
  4. DOI: https://doi.org/10.1353/col.2020.0060
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  1. Spume
  2. Doug Ramspeck
  3. pp. 41-42
  4. DOI: https://doi.org/10.1353/col.2020.0056
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  1. When the Temperature Finally Drops
  2. Nicholas Yingling
  3. p. 43
  4. DOI: https://doi.org/10.1353/col.2020.0038
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  1. Sleeping through Wreckage, and: Victims
  2. Suphil Lee Park
  3. pp. 44-45
  4. DOI: https://doi.org/10.1353/col.2020.0041
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  1. Sold Eels
  2. M. A. Cowgill
  3. pp. 46-47
  4. DOI: https://doi.org/10.1353/col.2020.0069
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  1. Am I the Saddest Person Ever to Stand on the Curve of the Earth, or Is He?
  2. Natalie Solmer
  3. pp. 48-49
  4. DOI: https://doi.org/10.1353/col.2020.0072
  5. restricted access
  1. Saludos to the Moon, and: The Tattoo of Moctezuma
  2. Jose Hernandez Diaz
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/col.2020.0067
  5. restricted access
  1. After "Nocturne: Grey and Gold, Westminster Bridge" by JM Whistler, and: After "A Corner of the Woods at Sablons" by Alfred Sisley, and: After "Woman and Child in a Meadow in Bougival" by Berthe Morisot
  2. Jack Christian
  3. pp. 70-72
  4. DOI: https://doi.org/10.1353/col.2020.0063
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  1. Alt/Nature, and: Alt/Nature
  2. Saretta Morgan
  3. pp. 73-74
  4. DOI: https://doi.org/10.1353/col.2020.0040
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  1. Another Turnpike Takes the Past Away Again
  2. Travis Truax
  3. p. 76
  4. DOI: https://doi.org/10.1353/col.2020.0043
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  1. Possum
  2. Emily Cinquemani
  3. pp. 77-78
  4. DOI: https://doi.org/10.1353/col.2020.0059
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  1. Both
  2. Lindsay Wilson
  3. p. 79
  4. DOI: https://doi.org/10.1353/col.2020.0068
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  1. Elegy with My Great-Grandmother's Piano
  2. William Fargason
  3. pp. 80-81
  4. DOI: https://doi.org/10.1353/col.2020.0044
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  1. Being Seen
  2. Tara Bray
  3. p. 82
  4. DOI: https://doi.org/10.1353/col.2020.0042
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  1. Considering the Options
  2. Gary McDowell
  3. p. 83
  4. DOI: https://doi.org/10.1353/col.2020.0061
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  1. What Kind of Animal You Would Be If You Could Be Any Animal
  2. Maggie Queeney
  3. p. 104
  4. DOI: https://doi.org/10.1353/col.2020.0070
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  1. Riddle, Oregon
  2. Ryler Dustin
  3. p. 105
  4. DOI: https://doi.org/10.1353/col.2020.0039
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  1. People like to say, "it's not your fault," but my father left a list of reasons, and: Finger Gun
  2. Isabelle Shepherd
  3. pp. 106-107
  4. DOI: https://doi.org/10.1353/col.2020.0062
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  1. Chimera on a surgical table
  2. Christine Robbins
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/col.2020.0055
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  1. My Family Asks Me to Speak
  2. Matthew Gellman
  3. p. 110
  4. DOI: https://doi.org/10.1353/col.2020.0073
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  1. A Whole Separate Pattern
  2. Jeremy Radin
  3. p. 130
  4. DOI: https://doi.org/10.1353/col.2020.0065
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  1. Yearlong
  2. Matthew Gavin Frank
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/col.2020.0048
  5. restricted access
  1. May
  2. Maja Lukic
  3. p. 145
  4. DOI: https://doi.org/10.1353/col.2020.0047
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  1. Geospatial
  2. Isaac Williams
  3. p. 146
  4. DOI: https://doi.org/10.1353/col.2020.0046
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Contributor Notes

  1. Contributor Notes
  3. pp. 153-157
  4. DOI: https://doi.org/10.1353/col.2020.0045
  5. restricted access