In this Issue

Table of Contents

Editorial Comment

E.J. Westlake
pp. ix-xi
DOI: https://doi.org/10.1353/tj.2020.0027
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Oka Apesvchi: Indigenous Feminism, Performance, and Protest

Bethany Hughes
pp. 127-142
DOI: https://doi.org/10.1353/tj.2020.0029
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Queer and Indigenous Art: Performing Ice Times in Climate Crisis

VK Preston
pp. 143-162
DOI: https://doi.org/10.1353/tj.2020.0030
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Performing "Aume": Artaud's Body Art

Maxime Philippe
pp. 163-178
DOI: https://doi.org/10.1353/tj.2020.0031
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Freedom in the Marketplace: Staging Defector Narratives in Mia Chung's You for Me for You and Kim Eunsung's Sister Mokrahn

Eunha Na
pp. 179-196
DOI: https://doi.org/10.1353/tj.2020.0032
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Architecture, Infrastructure, and Urban Performance in Hong Kong

Joanna Mansbridge
pp. 197-218
DOI: https://doi.org/10.1353/tj.2020.0033
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A Strange Loop by Michael R. Jackson (review)

David Savran
pp. 219-221
DOI: https://doi.org/10.1353/tj.2020.0034
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Oregon Shakespeare Festival (review)

Sonja Arsham Kuftinec
pp. 221-226
DOI: https://doi.org/10.1353/tj.2020.0035
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Scenes From 71* Years by Hannah Khalil (review)

Hala Baki
pp. 226-228
DOI: https://doi.org/10.1353/tj.2020.0036
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Holland Festival 2019 (review)

Catherine M. Cole
pp. 228-232
DOI: https://doi.org/10.1353/tj.2020.0037
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School Girls, or, the African Mean Girls Play by Jocelyn Bioh (review)

Jordan Ealey
pp. 232-233
DOI: https://doi.org/10.1353/tj.2020.0038
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Treasure Island by Michael Gene Sullivan (review)

Beth Wynstra
pp. 234-236
DOI: https://doi.org/10.1353/tj.2020.0039
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The Ebonic Woman by Ryan Landry (review)

Helen Deborah Lewis
pp. 236-238
DOI: https://doi.org/10.1353/tj.2020.0040
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Summerfolk by Maxim Gorky, and: Youth Without God by Thomas Ostermeier and Florian Borchmeyer (review)

Stephen Low
pp. 238-241
DOI: https://doi.org/10.1353/tj.2020.0041
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The Second Woman by John Cassavetes, and: What if they Went to Moscow? by Anton Chekhov (review)

David Pellegrini
pp. 241-244
DOI: https://doi.org/10.1353/tj.2020.0042
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Gary: A Sequel to Titus Andronicus by Taylor Mac (review)

Chris Corbo
pp. 245-246
DOI: https://doi.org/10.1353/tj.2020.0043
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Der Kirschgarten (The Cherry Orchard) by Anton Chekhov (review)

Bryce Lease
pp. 246-248
DOI: https://doi.org/10.1353/tj.2020.0044
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Borderlight International Theatre + Fringe Festival (review)

Les Hunter
pp. 248-252
DOI: https://doi.org/10.1353/tj.2020.0045
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Slave Play by Jeremy O. Harris (review)

Christian Lewis
pp. 252-253
DOI: https://doi.org/10.1353/tj.2020.0046
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Titus Andronicus: the State of Play ed. by Farah Karim-Cooper (review)

Sally Barnden
pp. 255-256
DOI: https://doi.org/10.1353/tj.2020.0047
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Gaming the Stage: Playable Media and the Rise of English Commercial Theater by Gina Bloom (review)

Mike Sell
pp. 256-258
DOI: https://doi.org/10.1353/tj.2020.0048
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Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage by Jean I. Marsden (review)

Glen McGillivray
pp. 258-259
DOI: https://doi.org/10.1353/tj.2020.0049
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Gender and Religious life in French Revolutionary Drama by Annelle Curulla (review)

Cecilia Feilla
pp. 259-260
DOI: https://doi.org/10.1353/tj.2020.0050
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Spectacular Men: Race, Gender, and Nation on the Early American Stage by Sarah E. Chinn (review)

David Carlyon
pp. 260-262
DOI: https://doi.org/10.1353/tj.2020.0051
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Uncle Tom's Cabins: the Transnational History of America's Most Mutable BOOK ed. by Tracy C. Davis and Stefka Mihaylova (review)

Ric Knowles
pp. 262-263
DOI: https://doi.org/10.1353/tj.2020.0052
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Microdramas: Crucibles for Theater and Time by John H. Muse (review)

Matthew Wilson Smith
pp. 263-264
DOI: https://doi.org/10.1353/tj.2020.0053
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The Polish Theatre of the Holocaust by Grzegorz Niziołek (review)

Magda Romanska
pp. 264-266
DOI: https://doi.org/10.1353/tj.2020.0054
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Shakespeare in the Theatre: Peter Hall by Stuart Hampton-Reeves (review)

Robert Ormsby
pp. 266-267
DOI: https://doi.org/10.1353/tj.2020.0055
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Postdramatic Theatre and Form ed. by Michael Shane Boyle, Matt Cornish, and Brandon Woolf (review)

Dean Wilcox
pp. 267-269
DOI: https://doi.org/10.1353/tj.2020.0056
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Moving Otherwise: Dance, Violence, and Memory in Buenos Aires by Victoria Fortuna (review)

Dasha A. Chapman
pp. 269-270
DOI: https://doi.org/10.1353/tj.2020.0057
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Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec by Julie Burelle (review)

Rebecca Harries
pp. 271-272
DOI: https://doi.org/10.1353/tj.2020.0058
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Witnessing Oka Apesvchi / Protecting the Water

Bethany Hughes
pp. E-1-E-6
DOI: https://doi.org/10.1353/tj.2020.0026
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Performance, Climate, and Critical Art

VK Preston
pp. E-7-E-13
DOI: https://doi.org/10.1353/tj.2020.0028
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