1. Editorial Comment
  2. E.J. Westlake
  3. pp. ix-xi
  4. DOI: 10.1353/tj.2020.0027
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  1. Oka Apesvchi: Indigenous Feminism, Performance, and Protest
  2. Bethany Hughes
  3. pp. 127-142
  4. DOI: 10.1353/tj.2020.0029
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  1. Queer and Indigenous Art: Performing Ice Times in Climate Crisis
  2. VK Preston
  3. pp. 143-162
  4. DOI: 10.1353/tj.2020.0030
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  1. Performing "Aume": Artaud's Body Art
  2. Maxime Philippe
  3. pp. 163-178
  4. DOI: 10.1353/tj.2020.0031
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  1. Freedom in the Marketplace: Staging Defector Narratives in Mia Chung's You for Me for You and Kim Eunsung's Sister Mokrahn
  2. Eunha Na
  3. pp. 179-196
  4. DOI: 10.1353/tj.2020.0032
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  1. Architecture, Infrastructure, and Urban Performance in Hong Kong
  2. Joanna Mansbridge
  3. pp. 197-218
  4. DOI: 10.1353/tj.2020.0033
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  1. A Strange Loop by Michael R. Jackson (review)
  2. David Savran
  3. pp. 219-221
  4. DOI: 10.1353/tj.2020.0034
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  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 221-226
  4. DOI: 10.1353/tj.2020.0035
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  1. Scenes From 71* Years by Hannah Khalil (review)
  2. Hala Baki
  3. pp. 226-228
  4. DOI: 10.1353/tj.2020.0036
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  1. Holland Festival 2019 (review)
  2. Catherine M. Cole
  3. pp. 228-232
  4. DOI: 10.1353/tj.2020.0037
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  1. School Girls, or, the African Mean Girls Play by Jocelyn Bioh (review)
  2. Jordan Ealey
  3. pp. 232-233
  4. DOI: 10.1353/tj.2020.0038
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  1. Treasure Island by Michael Gene Sullivan (review)
  2. Beth Wynstra
  3. pp. 234-236
  4. DOI: 10.1353/tj.2020.0039
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  1. The Ebonic Woman by Ryan Landry (review)
  2. Helen Deborah Lewis
  3. pp. 236-238
  4. DOI: 10.1353/tj.2020.0040
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  1. Summerfolk by Maxim Gorky, and: Youth Without God by Thomas Ostermeier and Florian Borchmeyer (review)
  2. Stephen Low
  3. pp. 238-241
  4. DOI: 10.1353/tj.2020.0041
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  1. The Second Woman by John Cassavetes, and: What if they Went to Moscow? by Anton Chekhov (review)
  2. David Pellegrini
  3. pp. 241-244
  4. DOI: 10.1353/tj.2020.0042
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  1. Gary: A Sequel to Titus Andronicus by Taylor Mac (review)
  2. Chris Corbo
  3. pp. 245-246
  4. DOI: 10.1353/tj.2020.0043
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  1. Der Kirschgarten (The Cherry Orchard) by Anton Chekhov (review)
  2. Bryce Lease
  3. pp. 246-248
  4. DOI: 10.1353/tj.2020.0044
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  1. Borderlight International Theatre + Fringe Festival (review)
  2. Les Hunter
  3. pp. 248-252
  4. DOI: 10.1353/tj.2020.0045
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  1. Slave Play by Jeremy O. Harris (review)
  2. Christian Lewis
  3. pp. 252-253
  4. DOI: 10.1353/tj.2020.0046
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  1. Titus Andronicus: the State of Play ed. by Farah Karim-Cooper (review)
  2. Sally Barnden
  3. pp. 255-256
  4. DOI: 10.1353/tj.2020.0047
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  1. Gaming the Stage: Playable Media and the Rise of English Commercial Theater by Gina Bloom (review)
  2. Mike Sell
  3. pp. 256-258
  4. DOI: 10.1353/tj.2020.0048
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  1. Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage by Jean I. Marsden (review)
  2. Glen McGillivray
  3. pp. 258-259
  4. DOI: 10.1353/tj.2020.0049
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  1. Gender and Religious life in French Revolutionary Drama by Annelle Curulla (review)
  2. Cecilia Feilla
  3. pp. 259-260
  4. DOI: 10.1353/tj.2020.0050
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  1. Spectacular Men: Race, Gender, and Nation on the Early American Stage by Sarah E. Chinn (review)
  2. David Carlyon
  3. pp. 260-262
  4. DOI: 10.1353/tj.2020.0051
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  1. Uncle Tom's Cabins: the Transnational History of America's Most Mutable BOOK ed. by Tracy C. Davis and Stefka Mihaylova (review)
  2. Ric Knowles
  3. pp. 262-263
  4. DOI: 10.1353/tj.2020.0052
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  1. Microdramas: Crucibles for Theater and Time by John H. Muse (review)
  2. Matthew Wilson Smith
  3. pp. 263-264
  4. DOI: 10.1353/tj.2020.0053
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  1. The Polish Theatre of the Holocaust by Grzegorz Niziołek (review)
  2. Magda Romanska
  3. pp. 264-266
  4. DOI: 10.1353/tj.2020.0054
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  1. Shakespeare in the Theatre: Peter Hall by Stuart Hampton-Reeves (review)
  2. Robert Ormsby
  3. pp. 266-267
  4. DOI: 10.1353/tj.2020.0055
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  1. Postdramatic Theatre and Form ed. by Michael Shane Boyle, Matt Cornish, and Brandon Woolf (review)
  2. Dean Wilcox
  3. pp. 267-269
  4. DOI: 10.1353/tj.2020.0056
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  1. Moving Otherwise: Dance, Violence, and Memory in Buenos Aires by Victoria Fortuna (review)
  2. Dasha A. Chapman
  3. pp. 269-270
  4. DOI: 10.1353/tj.2020.0057
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  1. Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec by Julie Burelle (review)
  2. Rebecca Harries
  3. pp. 271-272
  4. DOI: 10.1353/tj.2020.0058
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  1. Witnessing Oka Apesvchi / Protecting the Water
  2. Bethany Hughes
  3. pp. E-1-E-6
  4. DOI: 10.1353/tj.2020.0026
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  1. Performance, Climate, and Critical Art
  2. VK Preston
  3. pp. E-7-E-13
  4. DOI: 10.1353/tj.2020.0028
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