1. A Tempest between Naples and Sardinia: Gianfranco Cabiddu's La stoffa dei sogni
  2. Martin Butler, Gigliola Sulis
  3. pp. 309-340
  4. DOI: 10.1353/shb.2019.0038
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  1. Critically Regional Shakespeare
  2. Marissa Greenberg
  3. pp. 341-363
  4. DOI: 10.1353/shb.2019.0039
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  1. Hamlet in Kashmir: Political Allegory in Vishal Bhardwaj's Haider
  2. Michael Slater
  3. pp. 365-390
  4. DOI: 10.1353/shb.2019.0040
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  1. Bertram's Scar and Courts of Healing in All's Well That Ends Well
  2. Michael W. Shurgot
  3. pp. 391-407
  4. DOI: 10.1353/shb.2019.0041
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  1. Everybody by Artists Repertory Theatre (review)
  2. Elizabeth E. Tavares
  3. pp. 409-413
  4. DOI: 10.1353/shb.2019.0042
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  1. The Tragedy of King Richard the Second by the Almeida Theatre (review)
  2. James N. Loehlin
  3. pp. 413-416
  4. DOI: 10.1353/shb.2019.0043
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  1. Richard III by the Shakespeare Theatre Company (review)
  2. Michael J. Collins
  3. pp. 417-420
  4. DOI: 10.1353/shb.2019.0044
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  1. Cry Havoc by OnStage! Festival at Off/Off Theatre (review)
  2. Michela Compagnoni
  3. pp. 421-425
  4. DOI: 10.1353/shb.2019.0045
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  1. The Winter's Tale by The Cincinnati Shakespeare Company (review)
  2. Matthew J. Bolton
  3. pp. 425-428
  4. DOI: 10.1353/shb.2019.0046
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  1. Doctor Faustus by Shakespeare's Globe (review)
  2. Jennifer Sheckter
  3. pp. 429-432
  4. DOI: 10.1353/shb.2019.0047
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  1. King Lear by Cort Theater (review)
  2. Justin B. Hopkins
  3. pp. 432-435
  4. DOI: 10.1353/shb.2019.0048
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  1. The Fair Maid of the West by Thomas Heywood (review)
  2. Elizabeth Klett
  3. pp. 436-439
  4. DOI: 10.1353/shb.2019.0049
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  1. All's Well That Ends Well by the Seattle Shakespeare Company (review)
  2. Michael Shurgot
  3. pp. 440-443
  4. DOI: 10.1353/shb.2019.0050
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  1. Henry V by the Saitama Arts Theater (review)
  2. Kitamura Sae
  3. pp. 444-447
  4. DOI: 10.1353/shb.2019.0051
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  1. King John by the Folger Theatre (review)
  2. Noel Sloboda
  3. pp. 447-450
  4. DOI: 10.1353/shb.2019.0052
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  1. Timon of Athens by the Royal Shakespeare Company (review)
  2. Joseph F. Stephenson
  3. pp. 451-454
  4. DOI: 10.1353/shb.2019.0053
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  1. Hamlet_director's cut by Terre des Hommes, and: Prince Hamlet by Why Not Theatre (review)
  2. Peter Kuling
  3. pp. 455-460
  4. DOI: 10.1353/shb.2019.0054
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  1. Shakespeare & the 'Live' Theatre Broadcast Experience ed. by Pascale Aebischer, Susanne Greenhalgh & Laurie E. Osborne (review)
  2. John Wyver
  3. pp. 461-465
  4. DOI: 10.1353/shb.2019.0055
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