1. David Bevington: A Tribute
  2. David Loewenstein, Ellen MacKay, Logan D. Browning
  3. pp. 203-208
  4. DOI: 10.1353/sel.2020.0008
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  1. Quintilian's Forensic Grief and The Spanish Tragedy
  2. John Wesley
  3. pp. 209-228
  4. DOI: 10.1353/sel.2020.0009
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  1. Number and Narrative in Marlowe's Tamburlaine the Great
  2. Lisa Wilde
  3. pp. 229-255
  4. DOI: 10.1353/sel.2020.0010
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  1. Critiquing Mastery and Maintaining Hierarchy in The Taming of the Shrew
  2. Elizabeth Mathie
  3. pp. 257-276
  4. DOI: 10.1353/sel.2020.0011
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  1. Twinship and Marriage in The Comedy of Errors
  2. Kent R. Lehnhof
  3. pp. 277-298
  4. DOI: 10.1353/sel.2020.0012
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  1. Jane Shore's Political Identity in Thomas Heywood's Edward IV
  2. Christina M. Squitieri
  3. pp. 299-322
  4. DOI: 10.1353/sel.2020.0013
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  1. Medea and The Merchant of Venice
  2. Elizabeth Hutcheon
  3. pp. 323-345
  4. DOI: 10.1353/sel.2020.0014
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  1. "Modern for the Times": Lording Barry, Christopher Marlowe, and Ovid
  2. Sarah K. Scott
  3. pp. 347-364
  4. DOI: 10.1353/sel.2020.0015
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  1. Puppets, Sexlessness, and the Dumbfounding of Male Epistemology in Jonson's Bartholomew Fair
  2. Robert Darcy
  3. pp. 365-386
  4. DOI: 10.1353/sel.2020.0016
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  1. Recent Studies in Tudor and Stuart Drama
  2. Lucy Munro
  3. pp. 387-435
  4. DOI: 10.1353/sel.2020.0017
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